AniManga Picture Challenge Week 2 - Senior Citizens
Week 2 of the #AniMangaPictureChallenge is complete! This week, we highlighted our favorite Senior Citizens across #anime and #manga.
My Little Ponfarr - Handyman Saito In Another World
Anicasts - Laid Back Camp
Ragashingo - The World is Still Beautiful
Mole - Barakamon
Anime Animals アニメの動物 - Grandpa and Grandma Turn Young Again
Nikelui - Cyborg Grandpa G
chikorita157 - Slow Start
Retro Goth Bunny - Damedol and the Only Fan
SophiaHoppia - Haikyuu
Lúmëcolca - Shadow Skill
Symphogear Episode 02: Noise and Disharmony
Episode Summary:
We rejoin the action from last episode with Hibiki completing her transformation sequence. She is now clad in the same type of armor that Kanade wore two years ago. Even the instruments at 2nd Division headquarters identify the signature of her armor as Gungnir, much to everyone’s surprise!
A new song springs to Hibiki’s lips as she takes hold of the girl she’s been trying so hard to protect. Hibiki makes a superhuman leap off the top of the building she and the girl were on and lands unharmed on the ground far below. From there, she manages to first evade and then even fight back against the Noise. Where before, the Noise would have turned Hibiki to ash on contact, now Hibiki is even able to punch one with no problem. Hibiki clearly doesn’t have a feel for her new powers, though, as she crashes into buildings left and right unintentionally as she tries to get away. Despite that, she manages to keep herself and the little girl in one piece until Tsubasa can make a flashy entrance.
Tsubasa easily deals with the Noise, but then she and the staff from 2nd Division arrest Hibiki! They take her back to their headquarters which, it turns out, is located below Hibiki’s school, Lydian Private Music Academy. Although Tsubasa treats the moment as a somber, serious one, Genjuro and the others at headquarters upend the serious mood by throwing Hibiki a surprise welcome party.
Hibiki says an awkward hello to everyone, but is quickly carted off by Ryoko for a medical exam. Hibiki returns home to her dorm that evening worn out only to find a worried Miku waiting for her. That night, as the two fall asleep together, Hibiki tells Miku not to worry to which Miku responds that of course she is going to worry over her friend. Unfortunately, Hibiki is not allowed to tell Miku the truth of what happened.
The next day, we see that Tsubasa is not at all happy with the fact that Hibiki has somehow inherited Kanade’s powers. Back at school, Hibiki wants to go eating with her friends but instead has to report back to 2nd Division to get the results of her medical examination and an explanation of her powers.
It turns out that Ryoko Sakurai, the self described brains of 2nd Division, crafted special pendants from fragments of ancient relics which can only be used by a small number of Attuned individuals. They use songs to harness the power of these relics and form Symphogear armor. This special armor lets its user fight against the Noise who are impervious to seemingly all other forms of attack.
We further learn that the reason Hibiki can transform, even without a Relic pendant, is that she still has tiny pieces of Kanade’s Gungnir embedded within her from the Noise attack two years ago. Upon learning this, Tsubasa leaves the room, unable to handle her mixture of outrage and grief. Hibiki soon follows her and joyfully promises to help her fight the Noise, not realizing that she herself is part of the reason Tsubasa is so distraught.
At that moment a collection of Noise appear nearby and both Tsubasa and Hibiki go to confront them. Tsubasa engages a giant noise that forms when a bunch of smaller ones merge together. Hibiki manages to help out a little before Tsubasa destroys the giant creature.
In the aftermath, Hibiki begs Tsubasa to be allowed to fight alongside her, to which Tsubasa aims her sword at Hibiki and angrily says that yes, the two of them really should fight…
Episode Impressions:
This was a rather subdued, exposition-heavy episode. We got a few minutes of combat at the beginning and end, but for the most part this episode was about two things: Explaining how the Symphogear armor works, and showing us Tsubasa’s mental state following Kanade’s death two years prior.
I like that the Symphogear armors are, in essence, technological. They harness a not very well understood power, sure, but they do so via technology. That Hibiki and most others barely understand how it works doesn’t really matter. Ryoko does, and that’s what’s important.
It was also good to see that the tragedy at the concert did have a major effect on Tsubasa. She doesn’t appear shy anymore, but she seems to have traded that shyness for a not entirely successful attempt at being an unfeeling warrior.
Specific Scenes I Loved:
That brief moment as Hibiki holds out her hand to the little girl and cradles her in her arms. There’s a powerful strength there that I really liked.
Tsubasa’s final, as yet unnamed, finishing attack when she arrived to rescue Hibiki. She took out that large noise by impaling it with a sword the size of a medium sized building!
Hibiki’s admission that she barely understood any of the information she’d just been given about the Symphogear. Her voice and bemused, closed-eyed smile is just so cute in that moment!
The way Tsubasa had to leave the room as they started talking about why Hibiki could summon a Symphogear. Tsubasa is clearly not doing ok with her loss.
Songs In This Episode:
Gekisou Gungnir (Gungnir, the Striking Spear) – This is Hibiki’s first song as a Symphogear users. Like most of the songs sung during combat, it is the voiced expression of her current thoughts and emotions.
Her song here is pretty neat. She’s basically saying that her singing is enough to bridge the communication gap between people that words sometimes cannot. And, that she’s going to use this newfound power of song to push forward into the future. Her song is kinda simple and straight forward, like she is. While there’s a line about not crying, this isn’t a song full of the pain / regret / suffering that Tsubasa’s was last episode. It’s a song of hope and bringing that message of hope to the future.
Also… I love the bagpipes it kicks off with!
Zettō Ame no Habakiri (Ame no Habakiri, the Ultimate Blade) – Tsubasa’s song continues to be awesome. I like its power and the way it feels like something spectacular and imposing is about to happen.
Themes In This Episode:
Tsubasa vs Hibiki: One of the largest themes throughout this episode is Tsubasa’s reaction to Hibiki inheriting Kanade’s Symphogear. Tsubasa expressed the idea to herself that Hibiki is using a power that should still be Kanade’s. We also see something of a repeat of Kanade’s words about everything being ok as long as she and Tsubasa are together. Obviously, they aren’t together anymore… So, obviously things aren’t ok?
Does Tsubasa see this as Hibiki’s fault? Would she rather Hibiki have died if it meant Kanade could have lived? Hopefully Tsubasa is a better person than that, but it’s possible that kind of negative response is her first, grief-tinted reaction to seeing Hibiki using Gungnir. Or, could it be that Tsubasa doesn’t think Hibiki is up for the hard, life threatening role of being a Symphogear user? Again, we just don’t really know because Tsubasa hasn’t really expressed her feelings at all.
Hibiki, for her part, isn’t doing a lot to win Tsubasa over. Hibiki seems to think promising to fight the Noise alongside Tsubasa is what Tsubasa wants to hear, but it probably isn’t. Hibiki feels like a very energetic personality who tries to fix things by throwing herself into a situation, but so far Tsubasa doesn’t need help. She needs Hibiki to understand what Kanade’s death meant. Hibiki simply saying “I want to help!” isn’t enough. There’s emotions of sadness and grief radiating off of Tsubasa that Hibiki hasn’t even acknowledged yet. Things will probably stay bad between the two until Hibiki gets a clue.
Tsubasa’s offer for herself and Hibiki to fight isn’t a good sign. I don’t think Tsubasa means to actually harm Hibiki, but she might try to scare her away. Or, Tsubasa might take her anger, grief, and frustration out on Hibiki. I think it’s too early for anyone to actually be injured in such a fight, but it is going to be interesting to see how this plays out.
Special Attacks In This Episode:
Things You Should Pay Attention To:
That the 2nd Division’s headquarters is built below Hibiki’s school and is a mixture of modern and ancient technology is interesting.
Symphogear relics don’t activate for just anyone and it takes more than someone just humming a song. This would mean those who can summon a Symphogear are special in some way.
Hibiki is converting the power of Gungnir directly instead of using a Symphogear pendant like Tsubasa and Kanade used.
Hibiki is not allowed to tell anyone, Miku included, about her new double life as a super heroine.
Both in this episode and in the first one, the Noise appeared somewhat near the school. Is there a reason for that? Because the headquarters is there?
Moment By Moment Notes:
0:09 – Aufwachen is German for waking up. So… an awakening waveform?
0:19 – Confirmation that Hibiki’s Symphogear is the same as Kanade’s
0:23 – The OP. Remember, we’ll dig into the song and imagery near the end of the season to avoid spoilers.
1:55 – Bagpipes?!
2:15 – I love that little moment where Hibiki reaches out her hand and the girl takes it. That hug Hibiki gives her is so protective while also being bad ass!
3:15 – Hibiki’s first punch!
3:29 – Wait… if military grade guns and missiles don’t affect the noise, then isn’t that a waste of a perfectly good motorcycle?!
4:00 – Blue Flash
4:09 – One Thousand Tears
4:31 – I did not expect a sword that big! But, aww, the attack didn’t get a name. 🙁
4:51 – And that, my friends, is a military grade vacuum cleaner! :p
5:28 – Not even a hint of a smile
7:28 – That moment the elevator emerges into the wider shaft is pretty cool!
8:03 – She’s worried how her picture will look with handcuffs. What a goof!
10:35 – Miku is the best. (This comment will appear frequently. I herby promise to always copy and paste it, every single time.)
12:01 – There’s nothing to fear while we’re together
12:08 – That gear is Kanade’s!
12:16 – I like the random girl playing the horn. It’d be so annoying, but kinda hilarious!
12:25 – Flower is a shop that serves okonomiyaki… which is kinda like pancakes but tends to have vegetables or other stuff layered on top. So… “pancake place” isn’t an exact translation here.
12:36 – Your life is like an anime character’s.
14:30 – So she didn’t just sing at random, the power of the Symphogear relic guided her singing or made her sing?
16:11 – So, there are still some tiny pieces of Kanade’s Gungnir in Hibiki. (Also… isn’t this close to the origin story of Iron Man?! :p)
18:33 – Yeah, Tsubasa doesn’t seem thrilled at that…
19:36 – I think it’s good that the show acknowledges how strange it is to put yourself in the way of unkillable monsters from another dimension…
19:54 – The echo from the emergency speakers is really good.
20:24 – Tsubasa’s first transformation sequence
21:21 – Blue Flash
21:58 – Wait… should fight together or fight against each other?!
22:34 – Huh. This ending animation is actually pretty disturbing! (We’ll talk about it later.)
AniManga Picture Challenge Week 1 - Summer Fun
The return of the #AniMangaPictureChallenge’s #AniMangaFoundIt
was a success. From exploring the outdoors, to visiting the beach or pool, to the classic yuri aquarium date, #anime and #manga offer great ways to beat the summer heat!
Thanks to all who participated and to all who enjoy this content each week. New topic tomorrow morning!
Anime Animals アニメの動物 - Teasing Master Takagi-san
My Little Ponfarr - Pseudo Harem
Retro Goth Bunny - Bloom Into You
Mole - Barakamon
CT - Rama 1/2
Anicast - The Melancholy of Haruhi Suzumiya
Ragashingo - Macross Frontier
Symphogear Episode 01: Beat of Awakening
Welcome to the Senki Zessho Symphogear Episode Guide. Symphogear is one of my favorite anime of all time and I’m thrilled to share it with you! First off, a quick programming note. For this season, we’ll be using the Deetruck fan subs. I recommend these because of the way they separate the many songs from the spoken dialogue during episodes.
Episode Summary:
This first episode opens abruptly to the sound of heavy rainfall. We see a girl standing at a bus stop soaked by the rain. We soon see that she’s holding a bouquet of flowers… lilies, most likely… which is soon confirmed as she gets on a bus and travels to a traditional Japanese gravesite. Lilies, if you don’t know are associated with death and remembrance. Oddly, there is destruction all around her in every scene from the bus stop to the gravesite itself. Something bad has happened. Some sort of disaster! Along the way, the girl thinks of an old proverb about a cuckoo and the way it was thought to cough up blood as it sang. The girl narrates that her very best friend, the one whose grave she is apparently visiting, did much the same thing. That she sang on a battlefield even as blood spilled from her mouth!
We cut back to two years prior. The girl that died, whose name we now know is Hibiki, is standing in line for a concert of some kind and her friend, who we now know as Miku, is apologizing for being unable to join her because her family is having to take a trip to visit an ailing aunt.
We cut again, this time to the two singers of Zwei Wing who are about to give their concert. Blue-haired Tsubasa is sitting against a crate nervous and shy with her hand’s folded in worry. She is quickly approached by her partner, Kanade, who is much more relaxed and eager to go on stage. After a brief appearance by their manager, Genjuro, Kanade shares some words with Tsubasa. That she needs to be more flexible, that their audience won’t have much fun if they themselves aren’t having a good time. Pulled free of her shell, Tsubasa, too, is looking forward to performing in the concert. She and Kanade move forward hand in hand.
Meanwhile, Genjuro and spunky, upbeat scientist Ryoko Sakurai are setting up some sort of experiment with a strangely shaped object labeled Nehushtan. There are strange projectors pointed at the object. When Genjuro said that the concert will decide the future of mankind, he might just have meant it!
And now we hit the concert. The light dim, the impressive stadium-spanning stage is lit, and both Kanade and Tsubasa come falling from the heavens to an enthused landing as the crowd goes crazy. The two stand waving to their audience and start in on the impressively paced “Gyakkou no Flugel” (Backlit Wings). They dance and sing in perfect time to the melody until, partway through their song, the lights go out and the music swells and the roof of the stadium splits open into shards to showcase the sunset sky beyond! Our blond-haired girl, Hibiki, is having the time of her life at what is apparently her first concert.
Back at the experiment, it appears that Zwei Wing’s song is charging or empowering the Nehushtan object and that everything is going well. The song ends and another begins, but this time something has gone wrong. The object being empowered grows unstable and an explosion rips apart the middle of the stadium. It appears that the experiment area collapses due to the explosion and that only Genjuro and perhaps a few others survived. Then, from above, come strange flying creatures that look like they don’t quite belong in our world. Both Kanade and the audience recognize these creatures as “Noise” and the concert-goers immediately panic and begin to flee. As they do so the Noise descend and start attacking the audience members. Each person touched is quickly and painfully turned to ash!
Unwilling to let the attack continue, Kanade leaps off the stage and sings a short, echoing chant. A pendant around her neck glows and suddenly she transforms into a form-fitting orange, white, and black suit adorned with armored pieces that form around her. In her hand is a giant spear. She begins singing a new song and, at the same time, beings cutting into the Noise left and right. She takes out individual Noise with powerful swipes of her spear and takes out dozens at a time with powerful ranged attacks. Following behind her is Tsubasa who has also transformed into a blue set of armor and is cutting apart the Noise with a nodachi.
Back in the now empty bleachers, Hibiki has apparently become too shocked at the sight before her to flee. Something happens to Kanade and her power appears to dim. She even makes a comment to that effect, that she can’t go any farther. Above her, the rows of seating smash and crumble and send Hibiki tumbling painfully down to the ground floor of the stadium. The nearby Noise being rushing towards her only to be intercepted by Kanade who is then forced to block a spurt of vile liquid ejected at her by one of the building-sized Noise in front of her. Another Noise joins in and Kanade’s armor cracks and parts of it shatter. A few pieces are blown backwards and strike Hibiki directly in the chest! She falls to the ground in a pool of her own blood.
In a dramatic and chilling moment, Kanade rushes to the blond-haired girl’s side and urges her to keep on living before she then stands and walks calmly towards the large group of Noise arrayed in front of her. With a tear streaming down her face, Kanade lifts her crumbling spear high and sings a soft, chilling song even as Tsubasa yells in desperation for her not to. Back against the wall, our fading, glassy-eyed, Hibiki listens to the beautiful melody. A flow of blood escapes from Kanade’s lips as she finishes her song and then all the Noise present in the stadium are blown away in an instant. And, just like that, Kanade topples sideways to the ground.
Our blond-haired girl is in bad shape. She’s barely able to keep her eyes open now, but she does so just long enough to see Tsubasa embracing her partner. Shockingly, Kanade’s entire body disintegrates and is blown away by the wind as Tsubasa cries painful tears above her. When Hibiki next awakens she is in the middle of an operating room, surprised that she is still alive.
We jump forwards almost two years and find our blond-haired girl, whose full name is named Hibiki Tachibana, attending school with Miku. The two return to their rather spacious dorm room where we find that Hibiki has always had a thing for going far out of her way to help people. And that she choose to attend Lydian Private Music Academy along with Miku because it is the school Tsubasa attends. Two years prior, Hibiki didn’t even know who Zwei Wing were, but now she is a huge fan of Tsubasa’s who has continued her music career solo after Kanade’s death. We find that Hibiki isn’t actually sure of what she saw that day at the concert. She only knows that many people died and that she barely survived with a large scar on her chest.
Elsewhere, members of the Japanese Self Defense Forces are engaging a group of Noise, but find that their bullets and missiles have no effect on the otherworldly creatures. But then, a helicopter flies low overhead and drops a serious, emotionless Tsubasa to the ground right in front of the Noise. Defying Genjuro’s orders, Tsubasa engages the enemies before her, and in an impressive display of power, she strikes them down with a quick combination of powerful close and long ranged attacks.
The next day, Hibiki finally gets her chance to meet Tsubasa, but their encounter doesn’t go like she hoped. Tsubasa, still emotionless, merely points out that Hibiki has some rice on her face before moving on. Later, Hibiki races to a music shop in the nearby city eager to pick up Tsubasa’s latest CD when disaster strikes. It seems the Noise have been rampaging nearby and have already killed several civilians. Hibiki hears a scream and runs to assist a little girl cornered by them. The two flee across a stream and up a highway as Hibiki remembers a little bit more of what happened to her at the concert. Hibiki and the girl manage to reach a high rooftop in what looks to be an industrial complex. For a moment it looks like they are safe, but then they see that the Noise have surrounded them.
With the Noise nearly upon them, a familiar chant springs to Hibiki’s lips. Her voice echoes as she sings it and then she falls to her hands and knees as the same orange, white, and black armor that Kanade wore encases her! Hibiki stands up with a frightening look of power in her eyes as the episode ends.
Episode Impressions:
I thought this was a pretty strong opening episode. If it’s job was to get me hooked for a second episode, then I’d say it did a great job. The concert scene and battle scene was almost custom made for me seeing as I come from a Macross background where of course singing and combat go hand in hand. And Hibiki’s transformation was a great mini cliffhanger that promised more cool things to come.
I also thought this episode did a good job establishing characters. Hibiki as the goof with a heart of gold, and Tsubasa as first a shy girl and then as a no-nonsense warrior. And I liked the way they did both of these. So much of Tsubasa’s character was established just by her sitting nervously in her cloak. And Hibiki, her little chant about buying the CD as she ran was almost all we needed from her.
Technically the episode had a couple of blemishes. Both the bus Miku gets on and the oil tanker coming into port in the beginning just looked a bit off. A couple of the 3d camera moves in the concert scene were a bit unnatural, as well. But beyond that, the art, animation, sound, and music were all somewhere between good and excellent. If the show can keep itself at this level all the way through then I think it will be very enjoyable.
Specific Scenes I Loved:
Kanade and Tsubasa’s introduction. All it took was a sit and a hug and a few words to set up Tsubasa’s reserved character and Kanade’s far more outgoing personality. Sure, Tsubasa’s declaration that they could do anything as long as they were together instantly made me fear things would end badly, but it was pretty cool seeing a relatively small amount of animation do so much work in establishing two characters.
The concert, of course! Symphogear was produced by a studio called Satelight who has plenty of experience combining anime and music. Their work in this episode was near the top of their game with only the concert scenes in one of their previous series, specifically the Macross Frontier movies, potentially topping this one. Here, the hand drawn animation was downright excellent and the computer animated stadium in the background and camera movements that put the two together were pretty good, as well. The opening couple of shots of Kanade and Tsubasa dancing are a little stiff, a little unnatural in the way the camera moves in exactly one direction and doesn’t vary the speed of its movement much. These first few shots feel just a bit too mechanical, and the zooms are a bit too abrupt to start and stop. But the animation of Kanade and Tsubasa keeps up to even those somewhat jerky movements perfectly! That shot a little later on where the camera spins out into the audience is pretty darn cool. As a first try at a dynamic, engaging concert, this was pretty good, if maybe just a tad too ambitious for what they were able to pull off. But you can see the high bar they are aiming for. And they got pretty close to achieving it!
That brief moment during the concert where the roof lights up with Kanade and Tsubasa’s colors then opens to reveal the sunset is surprisingly powerful. Great combination of animation and music.
The battle against the Noise at the concert. So many cool things happen so quickly. Kanade taking out dozens of Noise with her special attacks. Her and Tsubasa’s cool run towards the camera where they destroy the Noise standing in their way. Kanade’s Superb Song and the way it saves the day at the cost of her life.
Tsubasa’s present day fight against the Noise. She disobeys orders to engage, but there’s no sign that she finds much joy in her victory. She wasn’t in a revenge rage, either. It was more like she was fighting out of a sense of duty but without a sense of satisfaction. As if the duty was her only reason for fighting now. Also, note her “One Thousand Tears” attack. It looks very similar to Kanade’s “Stardust Foton”. I think it is basically the same attack performed by Tsubasa in tribute or remembrance of Kanade with a new name that expresses Tsubasa’s sorrowful feelings.
Hibiki’s flight from the Noise. She is doing everything she can to keep herself and the little girl alive and in doing so she remembers that similar order that Kanade gave her two years before.
Hibiki’s first transformation. With Kanade, the transformation looked intentional and almost mechanical the way her armored pieces attached themselves to her. With Hibiki, all that techno-crap emerging from her body looked uncontrolled and painful! Is that the way she will transform every time, or was it a one off because it was her first transformation? Or do these heroines always transform like that and we just didn’t see it from Kanade or Tsubasa’s point of view?
Songs In This Episode:
Gyakkou no Flugel (Backlit Wings) – This song was a fantastic choice to open the series and a great way to open the first concert. Its concert version is exciting, and it was great to see that the audience knew the song and was able to shout out some of the key lyrics. The song itself is about friendship, possibly even romance, and the way music can inspire people to support each other as they reach towards lofty goals together.
Orbital Beat – We only hear the very beginnings of this song as things start to go wrong at 2nd Division’s headquarters. Unfortunately, it is cut off by the explosion before we get to hear any of its lyrics. It’s actually a pretty cool song and we’ll get to hear it someday. For now, it is important to know that practically all of the voiced songs you hear in Symphogear have full length versions. Even Gyakkou no Flugel above was just a shortened two minute version of what is a five minute song.
Kimi to Iu Oto Kanade Tsukiru Made (Play Out the Sound That Is You to the Very End) – This is a personal song of Kanade’s that is all about her friendship with Tsubasa. It starts with reflections on her past days before the horror with the Noise began. Then it moves to talk about how the two of them can go anywhere they wish, even above the sadness they both face. The most chilling part is the idea put forth that maybe she and Tsubasa met so that they could survive these tragic days together. This shortened versions then ends with Kanade promising to sing along side Tsubasa until her very end… which of course comes a short time later.
Like all the Symphogear songs sung during combat, Kanade’s final song is an amplified reflection of the thoughts and feelings flowing from her heart. The two things she is thinking about are her gentle past that now seems like a miracle to her in its normality, and her relationship and partnership with Tsubasa. For a song that Kanade charges into battle with, it’s almost like she somehow already knows that things aren’t going to go well.
Zessho (Superb Song) – The lyrics here seem entirely meaningless. They read:
Gatrandis babel ziggurat edenal
Emustolronzen Finé el balal zizzl
Gatrandis babel ziggurat edenal
Emustolronzen Finé el zizzl
At this point in the series, this song’s power and weight comes from Kanade’s tragic end. We’ll hear this song again at some point and learn some more about it. This is a key song in Symphogear, and you’ll hear bits and pieces of its melody spread all throughout the series. There will be more to say about the Superb Song in this season and beyond, but I’ll leave it at this for now.
Shiritsu Lydian Ongakuin Kōka (The Lydian Private Music Academy Anthem) – This is a fairly simple, straight forward song about greeting the sun and believing in one’s self even if you find tears at some point in your future. It’s kinda a classic Japanese school song. You can hear similar songs all across anime given so many shows feature students at school. Again, we only hear part of this song, the first half or so.
Zettō Ame no Habakiri (Ame no Habakiri, the Ultimate Blade) – This is Tsubasa’s main character song this season. We get a pretty abbreviated version of it here, one that even skips some of the lyrics to fit in the bits important to the scene. I found three fairly different translations of the lyrics, but they all point to Tsubasa singing her grief at Kanade’s death along side the possibly suicidal resolve that the loss of her closest ally has given Tsubasa as she continues her fight. It all ties together by saying that the bond she had with Kanade is what now powers or drives her blade.
This song will quickly become synonymous with Tsubasa, and we’ll hear it again in multiple different versions thought the season.
Synchrogazer – Although it is heard at the end of the first episode, this is actually the opening song for this season. One of the things I’ll do is save discussion of the opening and ending songs for the end of each season so we can talk about both the songs and the imagery they are paired with, without going into spoilers.
Themes In This Episode:
Self Sacrifice: Right out of the gate we have Miku talking about how Hibiki dies on the battlefield with blood spilling out of her mouth. I think the implication is that Hibiki will sacrifice herself singing her Superb Song much the same way Kanade did in this episode. So, I think our first real theme in Symphogear is the willingness to sacrifice one’s self for others. If anything, Kanade sacrificed herself to save just one person. It seems she could have withdrawn if Hibiki hadn’t fallen near her. She definitely knew she was at her limit, but she stayed and died for Hibiki’s sake.
Being Flexible: Kanade and Tsubasa’s early conversation before the concert gives us at least a couple more themes. We have Tsubasa being shy / frightened / worried because, in Kanade’s words, she was taking the concert (and the simultaneous experiment?) too seriously. But maybe more profound was Kanade’s statement about oaks falling in the wind while more flexible reeds will live on. Given the harder edge we saw demonstrated by Tsubasa in the present day, could she have become even more inflexible after Kanade’s death? Finally, I think Kanade’s idea that the audience won’t have fun if the performers aren’t might come back, too. Really, I think everything is pointing to Tsubasa having to learn or relearn these lessons after Kanade’s death.
Don’t Give Up Living: Another bit of wisdom from Kanade is the phrase that has saved Hibiki twice now. “Don’t give up living” seems like something that might come back up again. Certainly, Hibiki remembered it as she was on the run from the Noise, but I can see her giving that advice to someone else in the future, as well.
Helping People: It’s mentioned a couple of times that Hibiki just likes helping people. I think that’s going to be her early motivation. Not to be a hero or fight evil, necessarily, but to help those in need. Presumably, she’ll be much more able to help people, even against Noise attacks, once she completes her transformation.
Special Attacks In This Episode:
I love the title cards that pop up as various characters pull off their powerful special attacks. We’ll see repeat attacks, for sure, but there’s always the chance that we’ll come across a new one.
Things You Should Pay Attention To:
Hopefully the subtitles you are using noted what it said on the back page of the newspaper Miku’s father was reading early in the episode. If not, it said something like: “Rescued Japanese Girl Goes Missing – Survivor of Guerrilla War in South America” Yes. This will be important later.
That Nehushtan armor appears to have woken up or activated but we didn’t find out what happened to it or if it was the cause of the Noise attack. They seemed to be using song energy, “phonic gain”, from the concert to power it or awaken it… so, maybe the same process attracted the Noise?
When Kanade’s armor shatters, its shrapnel strikes Hibiki. We see Hibiki’s large scar mid-episode. And at the end her transformation starts with her chest glowing with power. I think it’s pretty clear Hibiki has inherited Kanade’s powers.
Moment By Moment Notes:
0:03 – Wow, what a way to open a series. Loud, sad rain. And quite a bit of destruction even in the very first background!
1:02 – Here’s our first image of main character Hibiki Tachibana. Note that the picture has had the left portion torn away.
1:41 – That’s one cool looking venue. I guess it’s a stadium but powered by its own giant solar panel?
1:58 – So, the girl we first met in the rain is Miku.
2:05 – Depending on your subtitles, you may miss the key moment. The back of the newspaper reads something like: “Rescued Japanese Girl Goes Missing – Survivor of Guerrilla War in South America”
2:22 – Here is our very first look at Tsubasa Kazanari. She look rather sad / worried!
2:33 – And here’s Kanade Amou. I love how they manage to convey her more outwardly excitement with just the way she sits even before we see her face.
2:56 – And here is Genjuro Kazanari, he seems to be the group leader.
3:17 – Ha, what a fun way to introduce a character, by having her announce her name as she answers a phone call. Yes, this is Ryoko Sakurai, clearly some kind of scientist.
3:43 – This cool looking stadium and giant circular stage was the moment I first perked up and started really paying attention to Symphogear.
4:04 – Kanade’s philosophy here is important.
4:53 – Our first concert sequence of Symphogear, and in a lot of ways its most important by far! Song here is Gyakkou no Flugel (Backlit Wings).
5:18 – This hand drawn animation synced to the computer animated background is really cool.
6:03 – Something about the progression of those lines and the swell of the music make this an oddly powerful moment!
7:30 – Things going wrong in the foreground. In the background is the song Orbital Beat.
7:48 – Our very first look at the Noise.
8:02 – Symphogear isn’t an overly violent show, but here at the beginning it certainly sets the stakes and shows it isn’t playing around with the horror of the Noise.
8:38 – Our first transformation of the series. Also kicks off Kanade’s song Kimi to Iu Oto Kanade Tsukiru Made (The Sound Called You Plays Until It Burns Out)
9:30 – Stardust Foton. Our first named attack via freeze frame title card. These are common throughout Symphogear and pretty awesome, all around!
9:42 – Something has gone wrong with that… armor. Did it call the Noise to the concert?
9:57 – Last Meteor. I love the implications there. An attack named after the thing that killed off the dinosaurs?!
10:04 – I love this bit of animation of Kanade and Tsubasa running forward taking out Noise as they go!
10:26 – Kanade’s words here, and her inability to go further, are important.
11:15 – Note that a portion of Kanade’s Symphogear armor broke off and the shrapnel hit Hibiki.
11:36 – “Don’t give up living” – another phrase that is important.
12:09 – Look how many came to listen today. Is she talking about the people who came to her concert, the Noise who are arrayed out before her, or both? Whatever the case, that line gives me chills.
12:22 – That tear.
12:27 – Our first Superb Song. Also chilling.
13:05 – That blood!
13:34 – That brief moment where you see her body burn away and her head come detached…
13:59 – Lydian Private Music Academy serves as a backdrop for the series.
14:14 – Hibiki’s lifelong hobby is helping others. Including this cat that got stuck in a tree.
14:54 – Tsubasa survived that concert as well. Important to note that just two years ago Hibiki didn’t know who Zwei Wing was. Now, she’s a huge Tsubasa fan!
16:25 – This song is Zettō Ame no Habakiri (Ame no Habakiri, the Ultimate Blade) and serves as Tsubasa’s character song throughout the season and occasionally beyond.
16:58 – Wright Slayer
17:02 – One Thousand Tears. (These seem pretty similar to Kanade’s Stardust Foton. I think this is an inherited / copycat attack that Tsubasa developed as a sorrowful tribute to her lost partner!
17:14 – Blue Flash. Love the traditional Japanese art background on this one!
18:21 – Thanks, Miku… But yes, Hibiki is kinda a weirdo.
18:46 – Yep, total weirdo. But I love her little chant as she runs!
20:16 – Don’t give up living!
20:32 – A gentle yet powerful song…
21:20 – If you listen closely, you can hear “Gungnir” as part of Hibiki’s transformation chant. Go back and listen to Kanade’s and Tsubasa’s and their respective Symphogears (Gungnir and Ame no Habakiri) are part of their chants as well.
22:09 Whoa! That does not look pleasant! Notice how her actual armor forms and deforms around her arms and legs and head after each burst of techno-machinery emerges and goes back into her.
Childhood's End
“Are you ready for this, uh… miss?” whispered the late thirty-something year old very tall, very thin human man dressed in stealthy blacks.
“I already told you, my name is Kathrri,” Kathrricallia, a dark-haired elf maybe half his age, whispered back. She made sure to properly roll the double r-sound near the end of what most might consider her first name. Hers was a proud, resourceful name derived partially from Drudic of the fey wilds and from that of her large, widespread family. She had only met the man, Edgeer, a handful of minutes before and he’d already forgotten it… This latest night time raid was starting out just great.
“Shh. Another guard. Everyone ‘gainst the wall again!” That young half-elven woman outfitted for stealth like her two companions was Stel. Kathrri had know her ever since they’d played during their childhood together a good ten years or more ago. The fiery red-haired Stel had volunteered for this dangerous mission even though she, unlike the other two, still called a house inside the walls of Aireden, the town they were about to slip back into, her home. For a long moment the three of them pressed up into deep the shadows casts by the damp, chilly stone wall as a guard holding a torch walked across the ramparts overhead. “Ok… he’s clear,” Stel whispered a minute later. “It’s now or never… can you do it Kathrri?”
Kathrri nodded then reached first into one small pouch strapped to her hip, and then another. Burnt mistletoe and a sprig of spruce. She clasped her hands and rubbed the two components together as she said a small, quiet prayer. After a moment she, and the two others with her, each gave the tiniest of starts when something around them almost imperceptibly changed. There was still the sounds of the wind, of distant bird calls, of closer nighttime bugs, but when Kathrri clasped her hands together a second time they made no sound at all. That same silence was true for the usual quiet rustle of her form-fitting, dark colored, hooded leather armor and even her cautious, experimental footfalls. The others were under the effects, as well. Not only was her spell dampening their sounds, it was doing something similar for their visibility and hers. It was like an odd camouflage or trick of the light powerful enough to make them hard to spot at a distance even if they’d been standing in full daylight.
A light grip and tug on her shoulder from Edgeer—speech and visual cues were much less effective now that the spell had been cast— signaled it was time to move. The three of them were free to walk a little faster and a little less cautiously, now, than they had when they were making their way from the woods, through the ever expanding clear-cut zone that boarded the city, and to the town wall an hour earlier. They rounded a bend in the wall then stopped near what looked to be a solid, heavy metal grate maybe three feet by three feet wide set almost five feet above the ground. Edgeer had to reach up to get his hand on it and then ever so carefully rock the center section of it back and forth until almost the whole thing popped seamlessly free. With a little more work, all three of them pulled themselves up and squeezed through the tight opening before returning the compromised grate to its previous, seemingly intact position.
They were inside the upper floor of a small, unlit storehouse, now. There was nothing around but a lot of cobwebs and a few dusty boxes. It was Kathrri turn to lead the way. She slowly led the way downstairs and out onto the dimly lit cobblestone streets, careful to check for anyone they might run into each step of the way. Although she’d grown up in the nearby wild expanse of the fey woods, Kathrri had explored the city streets with Stel and a few others so often back when they were kids that she knew her way around just as well here as she did in her own home section of the forest.
After a few uninterrupted minutes of travel slipping past more warehouses and the occasional storefront Kathrri froze and gently pushed back on Stel, the next in line. With quiet gestures and touches the three quickly pressed themselves into the a dark nook once more as a patrolling guard came marching by. His torch sent long shadows stretching every which way as he neared and then passed by. If not for their dark outfits, and Kathrri’s concealing spell, the three would have almost surely have been spotted. The small gang of three began moving again once the guard turned a corner and his torchlight faded from view. Down two blocks. Left. Then right and squeeze through a tight alley. Cross the street and circle around left… and then they were there. At one of Aireden’s smallest armories.
The town’s primary armory was a well-lit and well-guarded affair, but this structure was closer to a brick-built warehouse half-filled with old weapons and armor used to train new city guardsmen than it was a proper armory. There really was no other use for the worn out gear… unless you were a bunch of forest dwellers on the verge of losing your homes to the steady, murderous advance of progress and had no blacksmithing capability to speak of. Kathrri and her two companions were here to steal those weapons, as many as they could. With things headed in the direction they were, several dozens live might soon depend on their success this night.
Kathrri moved to the armory’s rear door only to find it padlocked. She moved back and gave a light touch to Edgeer. He was, supposedly, the best lock picker in the city’s small but thriving thieve’s guild. Now was his time to prove it. Kathrri had to huff and pout at just how little time it took the man to swing the newly unlocked door open. She’d been practicing on locks of all shapes and sizes for a couple years now, but there was no way she could have disabled that padlock so quickly. Edgeer returned to her side and his touch meant it was her time to lead again. He may have had more practiced nimble hands, but her senses were still a good bit better. She slipped into the armory and was instantly aware that they were not alone. Flickering lamp light and a distant, unguarded conversation were both coming from around a corner and down the hallway connecting the rear of the armory to the front. There were probably guards stationed in the armory’s front foyer. But that meant that the rows and rows of weapons back here were theirs for the taking.
Normally, a team of three consisting of a tall thin man and two even leaner young women could hardly hope to sneak off with much armament at all. A few swords and maybe three crossbows each if they filled both hands and arranged the rest just right. But that was the beauty of the plan Kathrri had come up with. She’d be able to easily carry ten times that amount, and making her way out would be far easier for her than it had been sneaking her way in.
It felt almost comical to Kathrri just how many crossbows and quivers full of crossbow bolts her companions were able to drape across her body even as she worked to clip a dozen swords in their scabbards to her waist and belt. By the time they were finished, she was so weighed down by her new myriad arsenal of arms she could barely move. Being stealthy like this was completely out of the question! And yet, she still had a big smug grin on her face.
At least until it happened.
Neither Kathrri nor her companions had noticed that the conversations coming from the front of the armory had stopped until an imposing, green-skinned guard holding a lantern stepped around the corner. He had them dead to rights, and not even Kathrri’s concealing spell could hide them from his direct view.
“Jellay! Get back here! We’re being robbed!” the guard yelled even as he lunged for Kathrri. As tangled up and bogged down as she was with weapons, there was really no chance of her getting away. She’d barely made it a couple of steps before the guard’s strong hand caught her thin wrist then wrenched her right arm around and pinned it painfully to her back.
“Go! Run!” Kathrri yelled even as she was being pulled sideways pressed into a nearby wall. Edgeer was gone in an instant, professional thief that he was. But Kathrri could just see Stel hesitating in the doorway out of the corner of her eye. And the second guard was coming fast! “I’ll catch up!” Kathrri promised.
With that, much to Kathrri’s relief, Stel ran, too.
“I’ve got this one, you get the other!” the guard crushing Kathrri to the wall said. Did he not see how many there were? The other guard ran out the back seemingly to give chance, and then all was quiet once more. And yet… something about the way her guard said those words was rattling around in Kathrri’s head.
She found herself roughly treated once again as the guard gripped both her shoulders tightly then spun her to face him. “Don’t move, don’t struggle!” The man… no, young man… no, his face was green, which would make him a half-orc. One very near her own age. And then the realization that had been working its way through her skull struck her at the same moment a similar insight struck him.
“Genki?!”“Kathrri?!”
The two had called out each other’s name in the exact same instant. There, standing in front of Kathrri, holding her painfully in place, was the now grown up half-orc named ‘Genki’ who had once, long ago, been her very best friend!
Like with Stel, she had first met Genki years and years ago when they were just children. One day he’d come crying from inside the city walls, a half-orc who’d caught more than his fair share of scorn for the mixed blood and angular features he could not control. She’d come from the fey woods and brought her own shame with her: An unquenchable thirst to know what lay inside the closed off town that the hunters and woodsmen flowed out from year after year to inflict incalculable harm on the very forest she called home. It had been her and Genki’s shared fascinations with styles of life not their own that had seen them and, over time, a handful of others, romp through the trees of her jungle and explore the back alleys of his city together. Just some odd kids making mischief when most anyone around them wouldn’t offer so much as a kind word. She and Genki had grown up together and gotten into all kinds of trouble together, despite both their parents’ protests. But that had been then. This was now. And things had clearly changed.
“What are you doing here, Kathrri?” Genki asked. His voice was deeper than she remember it and split between anger and disappointment. “No, I know what you are doing here. What I want to know is why?”
Kathrri tsked at him, then sighed. She was feeling quite a bit of disappointment of her own. “Why did you join the guard, Genki? It’s not the Hunter’s Lodge or the Logging Guild, but still… We… you… saw what they were doing to my home. And that was years ago. It’s so much worse now!”
“So bad that you’re here now stealing weapons so you can arm yourselves and kill?” Genki asked in reply. “…And you, you have killed, haven’t you?!” he added. There was sadness and a touch of true anger in his voice now.
“How did?” was all Kathrri could mumble. How could he know that? Why was he so angry at her?
“The four men last week they briefed us all on… Dead in an uptown market alley…” Genki was recounting things with an almost hollow voice of realization now. “One had his throat slit almost side to side… Another was in armor but had half his skill almost burnt clean off… And the other two had been stabbed to death. And three of them had been slashed with… with tiger claws… That was you, wasn’t it, Kathrri?” he asked dumbfounded.
Kathrri couldn’t help but shiver at her friend’s revelation. “Panther claws…” was all that slipped out of her at first as she looked away her face flushed with shame of her best friend having learned what she’d done. But then she took a breath, got her wits back together, and explained.
“I was leading someone through the markets,” she said, slowly. Careful not to reveal too much to the guard who was holding her in place. “Three men from the Hunter’s Lodge surprised us. And I did what I had to do.”
“I never though you’d commit…”
“…murder?!” she interrupted. “It wasn’t…” She tried to push back her rage and find the right words to say. “The only one murdered there was the forth young man. Stabbed to death, but no panther marks or magic on him. You know why? Because that was Bobbit!” she all but yelled now. “You remember Bobbit, right? From when we were kids? Fat. Friendly. Always let us back through the gate. Always knew where to scavenge something delicious to eat even when we had no money. He was one of the four you were briefed about. He was killed because they wanted to send us a further message.”
“Bobbit? They’d taken the bodies away. There’s no way I could have known…” Genki protested.
“You didn’t know about Stel, either,” Kathrri continued. “They didn’t kill her. They carried her back to their ‘Lodge’. I found her myself. They’d beaten her bloody and broken and then chained her to a cot. She wouldn’t have lasted two days if I hadn’t come to get her that night. I killed two more doing it. Are you going to complain about them, too?!”
“You can’t justify…”
“That was her just now. The girl who fled out that door? That was Stel. Miss Wild Magic, we used to call her. Mended up well enough in the last week so we could come here and ready ourselves to fight back against what they did. What they’ve long been doing.”
“Genki,” Kathrri surmised, though her emotion-drenched words were coming out more like a plea, now, than a statement of fact, “you’re the only one of us from when we were kids who is still here behind the walls. Here helping them tear down my home, and over hunt our animals, and kill my people.”
Genki’s face, which had been twisting with tearful, pent up emotion, suddenly hardened.
“No,” he said sternly. “I guard the places within the walls they tell me to guard. I break up fights and help people and patrol the town. And people thank me for it! I’m not that shunned little half-orc anymore. And I’m not out there cutting down your forest, or poisoning your river, or… or… whatever your people have accused us of. But you are in here stealing and killing in my home…”
Kathrri, too, clenched her jaw, but she said nothing. There had been no hesitation in Genki’s voice once he’d started. And there was nothing to say in response. Lines had just been drawn, and they were not on the same side. Kathrri had hoped against hope that maybe he’d come with her. That maybe he was stuck and looking for a way out. That maybe… no. Her task was too important to get caught up in endless maybes.
“Let me go, Genki,” she said slowly. Threateningly. Giving him one last chance. “Or I’m going to let myself go.”
He reached for her arm and moved to put his sword to her throat as he replied with, “The only place you’re going is…”
Kathrri didn’t let him finish.
It only took a moment for all the clothing and armor and weapons and weight she’d been saddled with to magically merge into her black-as-the-night panther form. She sprang forward then rebounded off the nearby armory wall and came back towards Genki before he could even raise his sword. Kathrri stuck hard and fast and without mercy. A swipe of her claws to this leg sent him toppling to the ground. A vicious bite to his sword arm saw it rendered useless. Another rake of her claws across his abdomen and belly saw him very nearly out cold with his blood spilling off him and pooling around him on the floor.
But then Kathrri was her elven self again. Kneeling by his side. With a short prayer she opened her connection to the spirits of nature and called forth a regal horse of recovery that sported only a single horn. She then cast a well-worn spell and summoned a cloud of her healing butterflies. The ethereal glowing insects gently landed on Genki and worked to close his wounds. A minute later his eyes fluttered open and she gently gripped his hand in hers.
“It seems we’ve crossed into two different worlds now, you and I. Or maybe we’ve just returned to our own,” she said, a tear or two now actually falling from her eyes. “I want you to stay here and guard your world. I’m going to return home and do the same for mine. You really… were…my best friend…”
And with that, she shifted into a feline form once more.
Kathrri exited the back door of the armory with all her stolen weapons in tow. But she departed not as a terrifying panther who had, out of necessity, attacked and nearly killed her best friend, but as the black-haired kitten she used change into back when they’d played during their childhood.
It was a shame that that, too, like so many precious things, had truly come to an end.
It's This Way
Meeting a contact in the sewers would seem like a quiet affair, but it never is. In fact, it is often downright noisy. There is, of course, the flow of sewage water. A mixture of slushes, slurps, drips, and gurgles that echo off the maze of subterranean brick-laid tunnelways that help keep the city clean. And then there’s the various creatures that live among the sewage. Rats and bats and far worse things. Plus there’s the people. An series of underground passages leading to almost anywhere in the city safe from easy viewing? They may not be clean, but the sewers are handy.
Speaking of not clean, there is the man before you. He’s a little too fat. Has a little too much unkempt facial hair. His voice would be echoing off the walls of his little lantern-lit hidey-hole office, if he weren’t smart enough to keep his words to a whisper.
“All righ’, I says you done righ’ by us. Earned you'self a proper meetin’,” he tells you standing on the other side of a beat up desk after inspecting the thing he sent you to obtain.
The man glances behind him, toward the doorway and pops his neck in agitation upon not seeing what he had hoped to see. “Kathrri!” He yells angrily, his tongue giving a little roll to the “r’s” in her name. His voice certainly echoes now…
It takes a few moments, but then the young woman you briefly saw crouched and waiting among the shadows of the nearby passage you came from slinks in. She’s not cowed or frightened in the least. If anything, she looks defiant. Annoyed. A rebellious teenager with eyes that gleam slightly in the lantern light. She’s fitted out with high quality blackened leather gear. Has a hood pulled up over her head that just about fully hides her dark hair, an oddly pretty face and… pointy ears? You spot a bevy of matte-black k nives strapped to her person anda dark colored shortbow strapped across her back.
“This ‘ere is Kathrricallia…”
“…I told you not to give ‘way my full name.” the girl interrupted. Her manner of speech is different. Not of the city and certainly not of the numerous thieves that do their business in the sewers. She almost sounds like she belongs elsewhere. In the wilds, maybe? That said, she does seem to have picked up a few bad habits. Dropped syllables, shortened words. Or is she trying to hide her original accent? Like the hood hides her ears and face?
“…She’ll show you to th’ meetin’ point,” your contact tells you and her. For a second nobody moves. Not your contact. Nor your new escort. It takes a violent grimacing head gesture from your contact aimed back at the open doorway for thing to progress again.
“Fine…,” the girl says. “But then I am headin’…”
“No! Then you’re comin’ back ‘ere.
The girl gives a little ‘tsk’, more like a hiss really, and meets the larger man’s stare. You notice her back straighten just a little. He does too.
“We have work to’nite…” he says, but this time there’s something else beyond just anger and command in his voice. A bit of fear? Pleading?
The girl ‘tsks’ again and nods. Still not cowed, but… resigned to her fate? Hard to tell.
“Come on. It’s this way,” she tells you before heading towards the exit. “And, for the record: To you I am ‘Kathrri’,” she too lightly rolls the ‘rii’ portion of her name, “or just ‘Kat’ if you can’t say it right.”
You nod, not about to argue how to pronounce someone’s else’s name, and soon you’re back alongside the noisy flowing sewage. You take a moment to check the opposite way and when you turn back the girl is… nowhere in sight. No… wait… there she is. Twenty, maybe thirty feet ahead crouched and peering around at the next right angled junction.
She really is a cat, you think. She’s quick and quiet as one, at least. Those traits hold true as she guides you further along the various passages of the sewer. Twice she stops you to let others pass at the far end of a tunnel or visible across the sewage going the opposite way. Busy place, the sewers, but she’s got good awareness and instinct, too, and she leads you onward undetected.
Eventually, you reach your destination: A kind of access shaft, a large circular hole, really, built into the ceiling some twenty feet above you.
‘Tssk’, Kathrri hisses again, a little longer and louder this time sounding even more like a pissed off cat as she paces back and forth beneath the opening.
“Oooh, when I get my claws on them I am gonna’…” she begins, talking to herself.
“Do we need to find another way?” you ask.
She turns and you can just barely make out the roll of her eyes before she answers saying, “No. But you are twice blessed lucky I am the one leading you and not Bobbit or Shel. Just… stand back a second,” she says, gesturing you away.
You do as she says even as you are curious what her plan is. There’s no hand holds. No rope. Not even a wall near by to jump kick off of. There are no athletics or acrobatics you know of that will get her up there. But then she just very slightly tilts her head and…
Nostalgia. Happiness. And a cool breeze and golden red sunset wash over you. Leaves: bright reds and yellows on the many surrounding trees. And beneath your feet are as many more dried brown leaves. You can feel them crunch as you step. Smell their dusty fragrant odor as they crumble.
… in an instant she is out of the sewer and looking down on you from above even as you start slightly at whatever just happened.
“Hold tight. I’ll be right back,” she yells down to you. She ducks away and a few moments later you can just barely make out a series of grunts. Something being dragged along the ground? Then she is back and attaching some kind of bundle of rope and wood to two hooks spaced maybe a couple feet apart at the top of the circular exit. She lets go of the large bundle and it falls and unfurls into wood-planked rope ladder long enough to stretch from the surface to a foot or two above the bottom of the sewer.
“We normally keep the ladder rolled up and balanced just right up here at the top,” she explains with a smile on her face almost like she is relaying gossip to you as you climb. “Shel just hits it with one of her little fire blasts. Bobbit? He throws one of those big rocks set up along the wall and knocks it loose. I just…”
She doesn’t just pause, Kathrricallia suddenly jerks her head to look behind her and then literally jumps to her feet.
“Trouble up here… sorry,” she whispers. “Might as well come up. They will just chase you if you run,” she says before turning and facing whoever else is up there.
With only a half dozen more wooden steps to go, you hurry up top and climb to your feet only to find yourself in a partially closed off back alley with three men facing down your escort and now you. Two of them are just thugs. One dressed more or less in street clothes with a simple club in hand. The other, fitted with a old, rusted breastplate. He holds a spiked club in one hand and a lantern in the other. The two are big, but none too bright looking. The third, however…
“What do you have there, Kathri?” asks the well-armed, fit looking man standing a decent distance from you crossbow in hand. He didn’t roll his ‘r.’ “I thought we’d agreed, you and I, that this side was ours and that you’d stay clear. Maybe if you’d heeded my warnings, your friend would still be alive.” You follow the man’s look back and see the larger of the two thugs move his lantern to reveal a burly young man slumped bloody in the shadows against the far wall.
“Bobbit?!” Kathrricallia yells as she runs past the men to her friend and grips his shoulder. She shakes him as if trying to wake him, but he is quite dead.
“Burge…” she says slowly, her voice low and angry.
“What? Oh! Of course! You’re wondering where Stel is? She is alive. For now. But I can change that if you continue to make things difficult for me.”
“We were just passing through, Burge. No looking. No takin’. You know that. You didn’t have to…” Kathrricallia answers. She looks up to him with tears in her eyes and a barely restrained quiver in her voice.
“I’m sure you were, Kitty Kath,” the newcomer leader teases, intentionally mispronouncing her name a second time. You take a step back at the dark look taking over the young woman’s face. This man has clearly mistaken her anger for anguish. “But you knew the rules I set. And you and your friends continued to defy them. So… You go run along. Now.” He says, pointing his weapon at her with a smile on his face. Kathrri holds up her hands and slowly moves away from her murdered friend. She pushes past you, seemingly intent on going back down her rope ladder, but she gently touches your side with her hand so as to get your attention.
“Be ready…” she whispers, her voice barely more than an enraged hiss, as she moves past. The look she gives you makes the annoyed, defiant glare she gave her boss down in the sewer seem daintily polite in comparison. She is going to do something. What? You are not sure. But she is not going to defer to this man any longer. You are sure of that.
“Now that we’re alone,” Burge says as your assigned companion begins down the rope ladder, “I want you to tell me just who it was she was taking you to meet.”
“I don’t know where we were going,” you answer.
“Oh, I know that. But it’s not what I asked you, is it?” Burge replies. He again readies his crossbow. “Who?” he asks, as he points the dangerous bolt directly at you.
Kathrri’s eyes are just about to disappear from view when it happens again…
A clear blue sky arcs high overhead obscured by the many trees. There’s just enough leaves left on them to provide comfortable shade. A chill wind sees all the shadows cast on the ground move and dance in time to each other.
…and in an instant she is behind the more lightly armored of the two thugs. Both you, Burge, and the man in heavy armor recover quickly from the flash of Autumn, but the other thug is just standing there. Confused? Or maybe still trapped within that vision? An instant more and Kathrri’s dagger is plunged in the side of his neck. With less effort than you’d expect, she cuts his throat open clean left to right in a sneak attack he had no ability to defend against. She gives his body a solid shove and it topples forward without any resistance.
Then, she does something else you’ve never seen. Thrusting her arms out towards you she makes some kind of full-handed gesture and speaks in a powerful, magical language you’ve never heard before. A wispy shape of a great bear made from a unending flow of rustling leaves and blowing winds gusts into existence and lopes towards you and Burge. To say the both of you are completely taken aback at this development is a vast understatement!
“Fight!” Kathrri yells to you from across the way.
Many things happen quickly now. Burge raises his hand crossbow at you and fires. There’s nowhere for you to dodge to and the bolt strikes you mid chest. A fatal shot. Or… it should have been. Instead, while the impact hurts, the bolt fails to penetrate when it should have and falls to the ground, rebuffed by some unseen forces as the illusory bear roars. Emboldened, you draw your weapon and Burge draws his and the two of you advance on each other and clash only for you to find yourself outmatched.
Past you, Kathrri is in much the same predicament. The thug she attacked is down and dead. But the other one is twice her size, much more heavily armored, and fully aware of her. It seems to be all she can do is stay nimble and dodge the swings of his spiked club scrambling to keep her distance as best she can. Her dagger doesn’t have near enough reach to strike back, and there’s not enough space for her to grab and use her shortbow. You block another one of Burge’s attacks then catch view of Kathrri lunging for her opponent. Not with her agile dagger, but with… animalistic clawed paws?! She connects with the man’s arm and blood goes flying. But he’s merely hurt, not dead. He counter attacks and lands one vicious hit to her head. Then another. The two grapple and plunge out of view into the shadows.
Burge seems to have you, as well. After a couple of his attacks are magically rebuffed, his sword beings to lands solid hits. First one. And then another. The wispy bear made of forest magic prowls nearby, but it’s temporary armoring effect seems spent for now as Burge’s stabs and slashes are bitting deep. And you’ve not done nearly so much damage to him in return. You’d contemplate your poor luck, but your feet are closer to the large opening in the ground than you’d like, and he is pressing his advantage knowing you are nearly out of room to maneuver.
But then something else happens.
The armored thug you though had gotten the better of Kathrri goes running past you both screaming while frantically pulling at his chest plate which is now glowing a bright heated red. He trips and falls and screams a few seconds more before his voice quiets into near silent whimpers. Both you and Burge look towards the inky shadows where the man ran from and you see them: Two gleaming eyes looking back.
But these eyes are not at the correct height for an angry young woman. No, they are much lower to the ground and a moment later you see why. A long, black-furred panther comes slinking out of the darkness. It bears its fangs, lets out a long low growl, then charges Burge. The thug leader turns to face it, but the panther topples him with a slash of its claws then lunges for his neck, grasping him in a mighty, bloody bite. He gets a solid stab in between the panther’s ribs, this attack is not deflected like his crossbow bolt was for you, and the large cat yelps in pain but goes for another vicious bite. Seeing an opportunity, you move in for the finishing blow on Burge and he falls still.
The panther falls, too. Weakly onto its side before shifting back into the shape of the leather-clad young woman who was ordered to escort you to a secretive meeting. She’s hurt. Bad. A gash on her leg. Another stream of blood flowing from her head. Kathrri holds her side, too, where she was most recently injured. But then she clenches her eyes shut and cries out in that same unfamiliar language and suddenly the air is thick with hundreds of glowing butterflies that appear out of nowhere. They flutter all around you both lighting up the dark spaces where you lay. Most of the bright glowing insects disperse and vanish in all directions leaving just one to land on Kathrri’s leg. You watch intently as her wounds close and her tense muscles begin to relax. Soon, she releases her side and pulls herself shakily to a sitting position before turning to you.
“He got you pretty good, I see,” she says. She reaches out her hand and her butterfly briefly moves to land on it before it crosses the short gap between the two of you and lands near where you were hit by the crossbow bolt during your fight with Burge. You feel a slight chill and the burning pain of your wounds soon cool in kind as the healing spirit mends your injuries like it did for her. She helps you to your feet, and you to hers.
“I know this is asking a lot, but they… they have my friend. My only friend. I’ll get you to your meeting, I swear it on my life, but first… will you help me save her?” Kathrricallia’s words are, for the first time, simple and honest. No anger. No slyness or defiance. Just a request from a mysterious contradiction of a young woman to the only person she thinks will listen.
You nod.
“Ok. Thank you. Come on, I think I know where they have her hidden. It’s this way.”
Deal with the Devil - Kakegurui
Kakegurui is set at a fictional high school for the children of the ultra wealthy elite who control business and government. The school has normal classes, but what sets it apart from normal institutions of learning is the way every after school activity involves massively high stakes gambling. From poker to roulette to far stranger and more dangerous games of chance, Hyakkaou Private Academy’s real goal is to ready these up and coming future titans of politics and industry for the tense, high stakes situations they’ll face in the real world.
Coming in to this frankly bizarre setting is transfer student Yumeko Jabami. If this were any other show, Yumeko would beat back the all powerful student council who controls every aspect of school life. She’d be an unimpeachable white knight outplaying everyone in this den of vipers. Instead, though she is friendly and has good morals, Yumeko is, in some ways, the most ruthless and gambling crazed of all the academy’s students!
Yumeko doesn’t so much as bat an eye when her fellow students look down on her or others. She doesn’t care if the student council has made having gambling debt at this school akin to being a slave to your fellow students. She doesn’t give a second thought to people trying to literally take control of others’ entire lives. All she wants is the most exciting, tension-filled gambles possible. The higher the stakes the better. The few times we ever see Yumeko angry is when someone tries to intentionally lose. She doesn’t care if you cheat as long as the base rules of the game are fair as she’ll always find a way to outplay you. But rig a game so that she is sure to win? So that she doesn’t get the thrill of being on the knife’s edge of victory and defeat? That’s her biggest turn-off and she might never speak to you again!
“Deal With The Devil” the opening song for Kakegurui’s first season, is a blast. This fast paced, upbeat, jazzy number is filled to the brim with edgy, double entendre lyrics all relating to gambling. Raising the stakes. Seeing through an opponent’s strategy. Having an unbeatable hand. Etc. It’s gotta be Yumeko singing here, and she is in full control of the situation! The song is the perfect opening for a show that is, itself, wild and edgy. “Deal With The Devil” rarely if ever comes into play during the show. It seems satisfied to open each episode along side its deviously suggestive bits of animation then wait for its chance to impress all over again next episode. Speaking of that animation, it is filled with spoilers for both the first and second season. The best kind. The kind that only make sense once you watch the show. Until then, the frantic pacing of the music will more than keep you occupied.
For a long time, I thought “Deal With The Devil” was a song whose speed and lyrics stuffed with double meanings would be all but impossible to fit into English. There doesn’t seem to be enough time to convey everything as the music zooms to the next line and next verse in the blink of an eye. Boy was I wrong! Kayli ‘Kiyo’ Mills did an outstanding job of creating a completely original cover for the song that lives up to its fast paced power. My one complaint, which seems a bit embarrassing when I say it out loud, is that she fails to meow at the appropriate time! But you know what? For a show as slyly suggestive as Kakegurui… that kind of thinking is absolutely perfect!
Fuwa Fuwa Time - K-On!
Fuwa Fuwa Time is a song whose strong introduction and many repeat performances made it THE song of an incredible anime.
K-On!, the anime featuring this song, is perhaps the ultimate combination of Comedy, Slice of Life and Iyashikei (calming shows with very little drama). It stars five high school girls who join together to continue their school’s light music club… but really all they do is goof off, drink tea, eat cake, go on shopping trips, and maybe every once in a while they actually even play some music.
Somehow, what should be a show that gets dropped because nothing is happening slowly builds and builds until you’ve fallen in love with the smallest character quirks and most mundane happenings. This is a show where, by the end of the first season, a simple look down a familiar empty staircase can evoke feelings nearly as strong as the most dramatic anime around. And not because something dramatic happened. Just because that staircase is the one these characters you’ve come to love use to get to their music room where most of their antics take place.
“Fuwa Fuwa Time” is a song that comes in several different flavors. The original version of the song saw the K-On! girls switch who sang vocals because of silly happenings that left one of them with a blown out scratchy voice. Later versions switched back to the original vocalist for other silly reasons. While still later versions added another club member with a new instrument. The version I’ve chosen is actually one of the last played since it appears over the end credits of the K-On! Movie that released after the tv series. All the versions start off with an instantly recognizable guitar riff that flows into keyboard and drums that support upbeat sing song lyrics. The song is about finding the courage to express yourself to someone you secretly admire. But, really, it could be about anything. The sound of it is just so instantly catchy.
I featured the movie version of “Fuwa Fuwa Time” partially because I like the more airy, stereo separated feel of its opening, and partially because I like the way it switches lead singers back and forth between verses.
One of the reasons I think of Fuwa Fuwa Time as THE song of K-On! Is, oddly enough, because we almost never hear all of it. Instead, the show frequently features the song’s intro or outro as a way to signify the start or end of a concert or a performance without having to play and animate the entire thing. I bet the entire song is played beginning to end less than five times throughout the show’s run. But we hear pieces of it so often that I can’t hear even the first few guitar cords without immediately picturing the anime. It’s that ingrained in my mind.
Speaking of the animation, though, this song is one of the first in a line of K-On! songs to feature totally unexpected music videos. Who would expect a song about a secret admirer struggling to express hidden love would be represented by… a peace-loving outlaw hippy band performing concerts and running from both the police and the military in their 1950’s Cadillac?!
K-On! has many fantastic songs. Some are more closely related to its characters or what passes for the anime’s goofy, minimal plot. There’s one or two that probably generate stronger feelings of friendship or love, like a song about one character’s beloved sister or the group’s most treasured friend. But if you want me instantly thinking of K-On… just play me the first second or two of “Fuwa Fuwa Time” and you’ll have me nostalgic for one of anime’s most landmark shows.
Finally, as I often do, I look for a great english cover of the anime songs I love. This version by GS 1.0 hits it out of the park with full cosplay and just a great energy about the whole thing!
Bang Brave Bang Bravern
Easily the most surprising and standout anime in the Winter 2024 season, Bang Brave Bang Bravern has me laughing out loud every week with its wacky, save the world mecha hijinks.
Bang Braven, I guess that’s what I’ll call it, is different in tone from a serious Gundam or Macross, and while self-aware, it’s also not an SSSS.Gridman style show, either. Even though it’s dealing with largely real-world military forces (well, until it doesn’t) the show I think it feels closest to is actually Tengen Toppa Gurren Lagann. I doubt this will have a tournament arc like Gurren Lagann did, but they share a similar sort of energy, excitement, and humor.
Sometime around the modern day, American and Japanese forces are having a joint military exercise around Hawaii. Everything from aircraft carriers to ground forces to American Titanostrider mechs and Japanese equivalents are simulating a joint attack on a fortified beachhead.
And then, aliens attack.



Even our best soldiers and most powerful machines are all but useless against the shielded alien mechs that descend from space and soon blanket the entire world similar to Independence Day. The situation looks all but lost for our heroes in Hawaii, but then, at the last moment, a red, blue, and white talking mech saves the day and takes in one of the Japanese mecha pilots as its pilot.
This new mech is named Bravern. Bravern is loud. Bravern is bombastic. Bravern encourages his new pilot, Isami Ao, yell out the names of super attacks along with him. With Bravern’s help, the surviving joint forces are able to push back the aliens around Hawaii. And then things get even crazier.
Unlike most other mecha shows, where the gundams, or similar mechs, are just stationary machines without their pilots, Bravern himself remains very much a character after the battle ends. Though Bravern’s head is multiple the size of an entire human, he participates in strategy meetings. He leads the joint forces in exercise routines that include runs and pushups for the humans and their machines. He leads training courses on, complete with an overhead projector, showing the joint forces how to overwhelm the enemy’s shields. Bravern is such a fun character he pretty drives the show much like Kamina did for Gurren Lagann.
That doesn’t mean we don’t have other good characters. Pilot Isami Ao has so far been a reluctant pilot of the brash Bravern. There is some bond between them that hasn’t been fully explored yet. There’s also Lewis Smith, one of the American pilots who wishes he could operate Bravern, but Bravern will not let him for some reason. Again, something about that bond between Bravern and Isami. Maybe some sort of past battles they shared in space that Isami has since forgotten about? Minor characters include the joint forces commander. And the airborne command and control operators who direct our heroes into battle.
Whatever secrets the show is holding on to for now, it is just hilarious and a joy to watch. And not just for the humor that makes it good. This week’s episode had a touching moment where a bunch of the soldiers and technicians Isami helped save in the opening battle got to thank him and buy him drinks. Lewis Smith is having to deal with not being the superhero pilot after being rejected by Bravern. We also got a glimpse of the allied forces’ first counterattack location, and it was kinda gut wrenching to see these soldiers and technicians in shock over the battering their homelands have taken.
The show is not going to instantly appeal to everyone. It is fairly silly and tongue in cheek despite some of its more serious, straightforward military trappings. But for anyone willing to have a bit of knowing fun thrown into their serious military mecha show, there’s nothing in recent memory that can top this.
Also, the ending credits of each episode. Neither words nor a single image can do them justice. Just… wow.
Ensemble for Polaris - Vivy: Fluorite Eye's Song
Vivy -Fluorite Eye’s Song- follows the character Diva, a newly created artificial intelligence in a robot body. Like all AI’s in this anime, Diva was given a singular main task to perform. AIs in this world come in a huge ranges of shapes and sizes built for specific purposes. Some are music teachers. Some are vacuum cleaning drones. Diva was created as a songstress and told to make people happy with her singing and then told that to accomplish her goal she’d have to sing from her heart.
The show soon sets Diva on an exciting one hundred year mission involving time travel and a world ending AI uprising that she is tasked with stopping. Diva gains a talkative know-it-all AI partner, and hand to hand combat skills, and far more knowledge about life and death than she ever wanted, but throughout it all, she continues to struggle with the question of how to make people happy with her singing, and how an AI like her can possibly truly sing from her heart.
“Ensemble for Polaris” is one of the few songs Diva does not sing. Instead it is first sung by Estella, a caretaker AI hostess who tends to the needs of her guests aboard Sunrise, an orbital resort space hotel she runs. This slow, almost haunting tale about space and the mythical beings that inhabit it searching for and finding each other is first sung to calm and wow a room full of Estella’s human guests. The song comes back later during a moment of high tension where it’s themes of two lost souls finding one another becomes even more relevant.
“Ensemble for Polaris” doesn’t quite represent Vivy in the same way that “Moonlight Densetsu” can be said to represent Sailor Moon. If you want that, Vivy’s “Sing My Pleasure” is kinda it’s overarching theme song. But this song was one of the first big examples of music being used in the show to change people’s lives for the better. The way it was used at the end of the 4th episode brought real tears to my eyes and had me rush to tell my friends that I’d found a new great anime.
Anime where music plays an outsized, in-universe roll is… kinda my thing. 🙂