Review: Gravity Rush 2

I recently started playing Gravity Rush 2, and… I’m loving it! 

For me, this was a game I saw a trailer or review for sometime early last year but quickly wrote off as yet another “I guess I’ll never play that because I don’t own a PS4.” Between now and then I got a PS4, and a few days ago I remembered this game. Small warning, I will be mostly avoiding main storyline spoilers but I’m gonna talk a lot about the game including some of the initial plot setup and some of the activities you do. Those looking to be spoiler free may want to check out now. 

Gravity Rush 2 is a continuation of the adventures of Kat, a teenage-ish girl who for some reason has the power to alter gravity in her vicinity. This power comes from her pet cat named Dusty whose coat looks almost exactly like the weird, distorted black star field effect used for the Darkness in Destiny. If Dusty is not nearby or is trapped or incapacitated, then Kat loses her gravity powers. 

So, what does Kat do with gravity powers? First and foremost, she uses them to fall through the skies! In game terms, you press R2 once to activate Kat’s powers which leaves her floating stationary above the ground, then you point the camera/cursor where you want to fall towards and hit the button again.

The game, and even Kat herself, has no illusion that she flies anywhere. She falls to where she is going and her animations show that. While you can do some things to have Kat strike a more traditional superhero flying pose, holding X to fall faster usually works, for the most part she is fine with twisting and tumbling about as she falls in whichever direction she chooses. It’s an unexpected delightful way to transverse an open world. 

Kat’s other core gravity based power is picking up various objects in a “stasis field” and effortlessly holding them in midair as they float and tumble near her. She does this for people and objects to take them safely to other destinations, and she also can pick up and launch debris in combat to damage enemies. (And sometime the people she picks up and throws are her enemies!) 

Kat also has the ability to “gravity slide” which sorta tilts gravity at an angle and lets her slide down any surface as if she was always sliding down a very steep incline. It can be useful for traveling along a curving surface since she is constantly adjusting which direction “down” is. She could slide along the inside of a Sonic the Hedgehog loop, for instance, by using the power. I don’t use this one much because there was very rarely a reason to and because it makes moving around more tricky than it should be. Your ability to aim yourself is very finicky. 

Kat’s final core gravity ability, which I do like a good bit, is that if you fall into the side or even the bottom of a flat structure, Kat will instinctively flip gravity around so she can run and jump across it as if she were standing right side up. This means you can stand on the side or even on the bottom of buildings. This also works on other objects like the sky flying cars and ships buzzing about the sky. It’s a little mind boggling to move around the bottom of a building as if you were right side up, but it’s also pretty awesome and the game handles this kind of thing perfectly. Like, your ability to clamber up a wall Destiny 2 style works just as well on the bottom or side of a structure as it does when you are right side up. (I like game engines that just seem to do the right thing effortlessly vs engines where something seemingly works sometimes and not other.) 

The open world of Gravity Rush 2 can be summed up in one word: “Super Great” … Ok… that was two words. Let me try that again. The open world is: “Very well done” …. Well darn. One more try? No? Fine. The point is, I like it a lot.  The game starts with Kat indentured to a small flying trading town that took her in after she was sucked from her home dimension via a gravity storm. This little town made of a dozen or so small buildings flying far above the clouds is a nice training area, especially since the game starts you out without your gravity shifting powers. So you learn to navigate around the town on foot before you regain your pet cat (and thus your gravity powers) within the first 30 minutes of gameplay. 

From that point what was a sorta difficult area to navigate around (since most of the buildings of the town are not connected to each other forcing you to always take the long way around bridges and catwalks) becomes dead simple to make your way around as you just fall to where ever you want to go to. The game and initial story setup/training really does a nice job of showing you just how useful your gravity powers are by forcing you to move around without them at first. 

Not long after that, the mining town finishes its work and returns to its port city to resupply. It’s here where the game really begins. The flying city of Jirga Para Lhao is big, beautiful, and complex. At first glance, it appears to be made up of multiple small-ish floating islands, and to the game’s credit most of these islands seem to have an in-world purpose. The island your little mining town docks at has a market right off the docks but also has a small residential area and a few taller buildings. In the distance are other islands, some sporting skyscrapers, some are clearly shipping docks or warehouses. 

Though this is a game you usually spend above the ground, landing and walking around is a joy because of all the little things going on in the city islands. There’s people shopping, people running the shops, people moving crates around, people juggling, people sitting on benches, groups of friends having conversations. There’s even kids and birds and dogs and cats and ducks. 

This is not a game like Arkham City / Knight where everyone goes away leaving the play space devoid of almost all life. Instead, each island feels alive and more than sufficiently detailed. Plus the architecture is nicely detailed and varied. There’s bridges and water towers and lighthouses and all sorts of cool things all over the place. In some ways it feels like a somewhat more modern version of Bioshock Infinite’s floating city of Colombia… remade as an open world… without the racism.

For the first hour or so you have a blast exploring this open world, but then, at some point, you remember that you can fall wherever you want so you decide to test the limits and fall as far up or down as you can. When you do that you quickly find that the set of islands you can see around you are just part of the flying city you are in. High above the main city is a series of flying estates sporting mansions, parks, and gardens. Rich people and high class pets dot these more sparsely populated areas. And far above them is an official looking government building. And above that is a fortified flying military base complete with anti-air cannons that force you to keep your distance.

Go down, and for the first few seconds you think you’re just gonna descend into an endless layer of clouds, but then you sorta break through and find that there’s an entire flying shanty town populated by the poor and downtrodden. This group of twenty or more mini islands is definitely far more rundown than even the “normal” mid level islands and is in complete contrast with the flying estates far, far above.

All in all, the playable space in Gravity Rush 2 is just delightfully large and it surprises you at being even bigger than you thought it was when you first step foot off the flying boat dock. Oh… then in the mid to late game the map size and complexity doubles!

I don’t really have much to say about the graphics and animation of the game, other than they are fantastic. Kat’s character animations are especially superb. The way she tumbles if you land too hard or the way she strings snappy kicks together during combat are a joy to watch again and again. And, the use of fog to partially obscure distant parts of the city works really well. Up close everything is colorful and vibrant and just all around well done while the fog helps enhance the feeling of being in a huge play space. Oh, and the dogs are super cute, too! 

So, what is there to do in this delightful open world? All this space would be wasted if there was nothing to do. There’s two main parts to Gravity Rush 2: The main story, and a bushel of side quests. 

The main story is pretty long and is split into at least three main segments. A lot of it is told through a fairly unique series of comic book style panels. You’ll start at one panel then press X and a character will maybe move in from off panel or someone who was in the panel will get a speech bubble usually accompanied by a word or short phrase of spoken dialogue to give a touch of tone and mood to what you read in the speech ballon. Then you press X again and maybe another character replies or another speech bubble appears. Each panel gets two or three little events like that then you shift left or right or up or down to the next panel, as if reading an animated comic book. 

A typical “cutscene” is usually around 5 to 10 panels long and the art is great. It fits very closely to the game’s graphics and does not feel out of place at all. One thing this game doesn’t have is fully voiced dialogue. Often the characters will speak a few words along with their speech bubbles that you read. What little speech there is sounds like a strange half French half Japanese and is more for tone than anything else. The voiced phrases almost never have enough words to match what was actually said in the speech bubbles. Still, it works well enough and was never really a negative or a distraction. 

I liked the main story. Some pretty big things eventually happen, but Kat does her best to maintain a cheery, upbeat attitude. My only complaint is that it sorta forgets that I didn’t play Gravity Rush 1 and a few characters I didn’t know pop up to help or hinder Kat in rapid succession without much introduction. 

Maybe the real draw of Gravity Rush 2 isn’t the main story but is instead the side quests. These too have fun, comic book style cutscenes, and cover a surprisingly wide variety of tasks. Of the top of my head, over the course of the game Kat has: 

  • Gone mining for minerals in a ruined city
  • Helped deliver a last crate of cargo to a departing airship that forgot it on the dock
  • Delivered a ton of newspapers all across one of the larger islands 
  • Tracked down a shop and its owner based on a photo where you had to pay attention to the direction and distance of objects in the background
  • Run annoying errands for the wealthy high class jerks on their private floating islands
  • Watered some trees (one of Kat’s powers is picking up nearby objects and if she does it near a source of water she will hover globs of water around herself until she throws them) 
  • Starred in an action movie
  • Impersonated a local hero in order to trick people into buying ice cream
  • Tailed a cheating boyfriend through the entertainment district
  • Flew a little girl around a park to keep her entertained 
  • Helped a journalist uncover corruption by taking a photo of a government guy and a criminal during a secret business deal
  • Survived police training
  • Helped a daughter buy a present for someone
  • Looked for a new place to live
  • Raced a bird to prove who is ruler of the skies
  • Broke up a student lead demonic cult
  • And… I don’t know… a whole bunch of other stuff

While a couple of these missions do repeat their basic gameplay elements, no two is exactly alike and even the ones that are similar still have you doing those similar things for very different reasons and at the behest of entirely different characters. And, as you can see from the list above, most of the things you do are just delightful!

But maybe the best part is Kat who, while not one note by any means, is pretty consistently upbeat about things. She very often jumps at the chance to help people and even when things don’t go her way she still usually find a bright spot to hold on to. Her charming, adorkable personality is a nice, refreshing change to most modern open world heroes and heroines (such as Aloy or Geralt or… uh Batman who all tend to be more cynical and grim about everything.) 

So, there’s a ton of side quests, many of which involve fetching or finding things. But there’s also  a fair amount of combat. Certainly the main story gets very combat heavy by the end, and some of the side quests have a fair amount of combat as well. 

On the ground, Kat can chain together a few rapid kicks and you have a dodge function that has you tumble out of the way. It’s not exactly Arkham style where you try and keep a flow going, but it doesn’t feel bad. In the air, though, is where you’ll be doing a lot of your combat. And there you have a variety of options from lock-on kicks that track enemies, to picking up and throwing things around you, to charged power attacks, to special attacks like slamming through a bunch of enemies or hovering in place as you constantly bombard enemies with debris.

The combat is just a little clunky because of the 3d any direction goes aspect of the game, but it still works pretty well. A lot of it is anticipating the direction you need to swing the camera around to keep attacking enemies. You have pretty good control of your own movement and you are generally in big open environments so combat is fairly fun. Occasionally, though, you are forced to fight in enclosed spaces. And there things become a lot more annoying. Not a huge turnoff or anything, but fighting in enclosed spaces as a character than can quickly fall in any direction… doesn’t work nearly as well as when she has room to move. 

One thing I did enjoy was the boss fights. I’ve battled everything from giant walker robots that would be right at home in Sonic Adventure, to a boss I had to destroy parts of before I could attack its actual weak spots, to one boss that was perhaps the biggest enemy I’ve ever fought in any game, to at least a couple of bosses that were comparable to Kat in size, speed, and power. 

All in all, Gravity Rush 2 is a delightful game, with an adorkable main character, a detailed, charming world, a ton of interesting side quest, and a main story that covers a lot of ground and eventually ups the stakes to epic levels. 

My biggest likes were Kat’s personality and movement powers. Falling through the skies as an upbeat character just works so well. 

My biggest dislike was the way the late story threw in a few characters that I had never seen before. Some of them Kat had clearly met before but they needed more introduction, for sure! Also, Kat’s solution to the final boss pretty much came out of nowhere and wasn’t even really shown on screen. 🙁

If you haven’t played Gravity Rush 2, I highly recommend it. I got it for pretty cheap off the PlayStation store and I bet an actually diligent deal hunter could find it for even cheaper than I did.


Bite-sized Backstory 34: The Fortuna Plummet

The Hildian Campaign

There’s one segment of the Reef Wars we just don’t know a whole lot about. During the long siege of Pallas occurred what was a perhaps an almost equally long search for Skolas called The Hildian Campaign. Armada Paladins Abra Zire and Kamala Rior were sent into the Hildian asteroid field to try and find Skolas and his chief strategist Beltrik, the Veiled, but this campaign was largely a failure. While there may have been small scrapes and skirmishes, for the most part the Reef’s forces came up empty in their search.

The Hildians are a dense group of over 1,000 asteroids and smaller objects that share an odd orbital arrangement with Jupiter. They orbit the sun a little slower than Jupiter so at times they are on opposite sides of the solar system as the gas giant while at other times they come close to approaching it. At their closest point, however, the Hildians never quite reach Jupiter’s orbit and soon they are back on their way away from Jupiter again. This animation from Wikipedia shows the orbits pretty well:

The brief description of the Hildian Seeker Jumpship says:

Nimble starfighters designed by the Reef to navigate dense asteroid fields.

So we know the Reef’s forces considered the Hildians a dense, tricky place to maneuver through. One would think that the Reef’s pilots would be experts with flying through tight space, what with the Reef’s confusing layout and all, so this must have been quite difficult indeed. It’s no wonder they weren’t able to find Skolas or Beltrik, in that case!

While the Reef’s forces failed to find their targets during the Hildian Campaign, it can’t really be said that the campaign was a total failure. Two things happened there that would become decisive towards the end of the Reef Wars.

First, Paladin Abra Zire had time to work out her anger over the Battle of False Tidings. We don’t have any confirmation of what this battle was, but my guess is it is a another name for the razing of Amethyst and the battle against Parixas that Paladin Zire was tricked into. The months or years of searching for Skolas among the Hildian asteroids are said to have cooled Zire’s anger into an icy resolve.

Second, Petra Venj, whose family had been killed when the Wolves attacked Amethyst, seems to have first cut her teeth as a Corsair serving under Paladin Zire during the Hildian Campaign. We’ll be talking about Petra a lot both now and in the future.

Fortuna Plummet

After the Reef defeated Pirsis and freed Pallas from its long siege, Skolas’ forces were likely starting to run thin. Likewise, hiding out in the Hildians for what could have been multiple years seems to have depleted the supplies of his chief strategist Beltrik, the Veiled.

Beltrik moves his forces out of the dense Hildians and forms a defensive screen around the large, 225km wide asteroid 19 Fortuna. There, he moves his ships one at a time into a resupply position where they mine ether while the other ships hold their positions in a formation that we are lead to believe made them fairly impervious to attack. By this point it seems pretty clear that the Wolves have a pretty large advantage in numbers and firepower over the Reef, and the Reef has only won battles because of things things like the Queen’s Harbingers or luring the Wolves into bad positions.

Unfortunately for Beltrik, his opponent was Paladin Zire. This time, she refused to be led into any sort of trap, and instead devised a way to break through Beltrik’s defensive deployment. After the earlier success of luring Drevis’ Ketch into the path of 324 Bamberga, the Reef began looking for a way to repeat that smashing success, and at some point during the long siege of Pallas they developed Carybdis, a gravity weapon capable of pushing asteroids off course.

After apparently proving herself during the Hildian Campaign, Petra Venj was given command of a significant portion of Paladin Zire’s fleet and ordered to harass Beltrik’s entrenched position in an effort to make it look like she was attacking without actually suffering the massive losses that a true attack against that kind of defensive positioning would entail. Petra’s main goal was to serve as a distraction while Paladin Zire stealthily moved the remainder of her forces to the much smaller 21km wide asteroid 687 Tinette. You can see the actual orders sent by Paladin Zire in Ghost Fragment: The Reef 3

It turns out that Tinette was apparently on a natural close approach with Fortuna at the time, so Beltrik’s forces were probably expecting it to slide on by as they continued their resupply operations. What they didn’t expect was Abra Zire’s forces to use their new Carybdis weapon to alter Tinette’s orbit, causing it to crash through their defensive screen and directly into Fortuna. The massive collision that resulted shattered both asteroids and caused massive damage to Beltrik’s fleet. Beltrik was easily captured in the ensuing confusion, and for the first time in the Reef Wars, Skolas was deprived of his brilliant strategist. This entire battle, as well as the remains of the two asteroids would soon become known as the Fortuna Plummet.

Not long after this, we’re told that Prince Uldren’s Crows, which seem to be his mysterious force of pilots and spies, receive a message from an Eliksni named Variks who claims to be from the House of Judgment. The contents of this message would lead to the final battle of the Reef Wars and the defeat of Skolas and the House of Wolves…

…but there’s a lot to unpack there, so we’ll look at it next time. 🙂


Review: Hellblade: Senua's Sacrifice

”Hellblade Selling Above Expecations, Nearly Breaking Even For Developer” is a bit of a downer title for something that is far more exciting. The news isn’t that Hellblade is going to turn a profit, quotes from the studio make it clear that was always going to happen. It’s that Hellblade is going to turn a profit months earlier than expected, meaning the game is selling rather well.

”We own the IP this time. It’s opened up a bunch of doors and possibilities that we just didn’t have until this point.” Antoniades, chief creative director at Ninja Theory told GamesBeat. “In terms of a model, I’d say it is a success.”

Not only does Ninja Theory own the IP to Hellblade, they self published it. In doing so, they necessarily made a smaller game with a smaller team than a AAA title gets, but now they are reaping that reward as there is no EA or Activision there to take their share of the profits.

The exciting thing here is that maybe, just maybe, this could be a signal to the industry. Not every game needs to be a massive AAA adventure. Not every game needs to be filled with random loot boxes. Making a good game on a less astronomical budget can work!

And yeah, Hellblade: Senua’s Sacrifice is a good game. I played it over the course of two days and thoroughly enjoyed it. Without jumping straight into spoilers, the game opens with Senua, a Celtic warrior on a quest into a Norse version of hell to save the soul of her lover after he is tortured and killed in a Viking raid. Except, this isn’t a game about a heroic damsel or femme fatale epically storming the gates of hell. It’s a story about a deeply troubled young woman being pushed over the edge by tragic events trying to overcome her own demons while giving everything she has to save someone who she loves.

It is a very dark, very gritty game. Starting at about a minute in, things like bodies impaled on spikes is a normal you’ll need to accept. The game includes somewhat graphic looks at things like fire sacrifices, making your way through a dark place filled with monsters, or what it feels like to die. But all of this is in service to its story and is laser focused on what Senua is feeling and experiencing. Ninja Theroy worked long and hard to correctly portray various aspects of mental disorders in how Senua reacts or sees the world. This is a game where what they called “the low hanging fruit” of correctly portraying psychosis meant making amazing and chilling use of 3d positioned voices constantly talking to you, laughing at you, encouraging you, mocking you, and being afraid for you and for themselves!

All in all, the story is dark and introspective and extremely well done. It’s told fairly out of order, but I like that sort of thing. Piecing together what happened and when and why without everything being spoon fed was a fun challenge. And the acting done for Senua is the best I’ve ever seen in a game. Period.

Gameplay wise, Hellblade: Senua’s Sacrifice is something like Epic’s Infinity Blade mobile games from a few years back. Senua is the best rendered character model I’ve seen in a game, but they can get away with that because the entire game is a close up perspective on her which limits the amount of environment that need to be rendered. It all looks really good, but there is that sense that it can only look so good because it is very carefully keeping you to tight hallways on outdoor corridors of trees or whatever.

The combat also reminds me a good bit of Infinity Blade. Combat has a very fixed feeling to it in contrast to something like Tomb Raider or Horizon: Zero Dawn. Instead of scampering and dodging in an open world, combat is always in small-ish circular areas or occasionally on wide bridges. Instead of the camera being freeform, it is always behind Senua and always focused on an approaching enemy. At first, it can feel a little restricting. You can switch which enemy the camera focuses on (and thus which enemy you are engaging) but you are basically always facing an enemy.

Fortunately, this somewhat fixed, somewhat mechanical feel is made up for by simple but very well done combat. Combat is a game of dodging, blocking, attacking, and counter attacking. If the sort of base sword wielding enemy is about to try and hit you with a heavy attack you can see it in his great character animation and choose to dodge to the left or right, or you can hold a block and absorb the impact while being thrown off balance, or you can counter with a well timed parry that will allow you to flow into a counterattack combo. So, combat is about picking the correct move in real time to avoid damage or attack your opponent. Enemies with light swords can be beaten through easy blocks and the occasional heavy attack to break their guard. Enemies who carry a shield require a kick or a shove to break their guard since your direct frontal sword attacks are mostly useless. There’s also slow enemies with large heavy swords, and fast enemies who duel wield knives that they can throw at you.

Combat gets frantic and challenging as the game throws more enemies at you. They cluster around you and it becomes a game of picking the right enemy to focus on and of dodging and blocking enemies who attack from the side or behind. And all of this is happening while a chorus of voices in Senua’s head cheer you on, or warn you of an attack behind you, or fret as you take a hit, or taunt you as you are about to die, or urge you to finish an injured opponent. Once again, this game is gritty and violent. Get knocked down in combat and you can see the pain on Senua’s face. Having to stand back up after a near fatal blow feels hard and the game even goes so far to drastically limit your attack speed and power for a few seconds until you recover. It makes every battle tense and terrifying, even if mechanically there isn’t really as much danger of failure you are lead to believe. There are certainly times where you chain together dodges and attacks and blocks and combos that let you slice through an otherwise hard group of enemies and it feels very satisfying… so it’s not all grit and pain. It is fun, as well!

Taken all together, from the extremely excellent facial capture and acting for Senua, to the hellish story about her quest to defy the Norse gods, to the combat that is somewhat simple but deeply satisfying, to the various set pieces and puzzles you’ll face, Hellblade: Senua’s Sacrifice is a fantastic game. It is not particularly long. Maybe 5 hours. 10 hours at most. But those hours are packed with narration and combat and storytelling and creepy frightening sights.

That the game is apparently doing well and is being considered a success pleases me greatly! 🙂


Bite-sized Backstory 33: The Long Siege of Pallas

Since before the Reef Wars, the Awoken could only ever tell that the Eliksni were communicating, but what exactly the aliens were saying to one another had always been lost in the pulsed static or rapid beeps and tones of encryption. It seems likely that the Awoken’s communications were almost certainly just as unreadable to the Eliksni, but then it was the Eliksni who were lashing out at Awoken colonies and murdering entire Awoken populations. For months or perhaps even years, the Awoken had been on the defensive. All they could really do was react, to Skolas’ next aggression.

Finally, though, after the attack on Amethyst, Prince Uldren and his Crows managed to break the House of Wolves’ encryption. Now, they could listen in on Skolas and his lieutenants and they strike back at his forces. The first of the Reef’s counter attacks came against Drevis, who if you’ll remembered, committed major atrocities on Amethyst.

Sometimes we think of space navigation as a solved thing. Even in our modern, real life age we can land rovers on Mars or send probes to take spectacular pictures of the planet Pluto. But really, we’re so good at those things because we have had years and decades to observe and perfect orbital models. Just recently a big-ish asteroid passed near Earth and the news stories were saying that there was a chances it would hit us when its orbit brought it back around in a few decades time. But, with only one short observation, doing the calculations to tell us for sure was apparently impossible. Even with our fancy technology, we’ll have to wait for the asteroid to pass us by once or maybe twice more before we’ll have any idea if it will hit us.

That’s how it must have been for Drevis’ crew and Pilot Servitors for the asteroid 324 Bamberga. Orbiting a little beyond Mars, Bamberga is roughly 230km wide, and the Eliksni, in their haste harass and attack the Reef, miscalculated its orbit. The Awoken however, who had likely been observing and charting Bamberga’s movements for multiple hundreds of years, knew exactly where it would be, and used that knowledge to drive Drevis into a trap.

We don’t have any account of exactly how Armada Paladin Imogen Rife’s forces drove Drevis’ ketch into the path of Bamberga. I’d like to imagine it was a running series of quick clashes, picket actions, and larger feints that kept Drevis on the run until Bamberga ran into her. Drevis’ ketch was utterly destroyed in the collision, and both she and her most prized servitor, Kaliks-4, were captured.

After the Reef’s defeats and humiliations at Amethyst and Iris, this must have seemed quite the victory, but remember, the Kaliks line of servitors were very important to the House of Wolves. So, instead of a uneventful voyage back to Vesta, where Paladin Rife would have presented Drevis to her Queen, the Awoken fleet was instead attacked by Pirsis, one of Skolas’ few top remaining lieutenants. Pirsis cornered Rife’s forces at the large asteroid of 2 Pallas and set up a siege.

2 Pallas is the third largest asteroid in the belt between Mars and Jupiter, and is only a little smaller than Vesta, the asteroid that the bulk of the Reef is built around. At roughly 550km across, Pallas is almost twice as big as Bamberga, and is home to a sizable population of Awoken.

Pirsis didn’t just trap Paladin Rife at Pallas, she amassed a fleet of what must have been hundred of Eliksni ships, enough ships to lay siege to Pallas and cut it off from the rest of the Reef not just for weeks or months, but for years! The House of Wolves clearly had the superior position and overwhelming firepower, but they refused to press their advantage, because doing so would have meant the certain death of Drevis and destruction of Kaliks-4.

The last time the Wolves had amassed such a huge force, the Awoken had smashed it with Mara Sov and her Harbingers leading the way. But this time, that wasn’t so easy. With the Wolves besieging a major population center, the use of Harbingers would have lead to a massive number of deaths on both sides! In desperation, Mara Sov sent Armada Paladins Abra Zire and Kamala Rior to search for Skolas among the Hildian Asteroids, but they were unsuccessful in their missions due to the cleverness of Skolas’ chief tactician, Beltrik, the Veiled.

The siege of Pallas finally began to crumble when a Dreg named Weksis the Meek launched an unsanctioned attack on the Athens Hull, which I’m guessing is the name of Imogen Rife’s flagship. Weksis and his small group of followers were able to blast their way into the Athens Hull in an attempt to rescue Drevis and Kaliks-4 from imprisonment, but the timely intervention of Commander Hallam Fen stopped them in their tracks and saw the would be rescuers imprisoned beside those they had been trying to rescue.

Unfortunately, this attack spurred Pirsis, who by now had been dubbed “Pallas-Bane”, to launch a more major attack of her own. Her larger, more able strike team fought their way through the breach that Weksis had opened and managed to free Kaliks-4. We’re told that Pirsis might have gotten away with the important Prime Servitor, but she instead tried to free Drevis as well. This lead to a face to face clash between the Awoken and Eliksni leaders in charge of their respective sides of the siege.

Perhaps Pirsis and Paladin Imogen Rife had seen each other during negotiations over the previous few years, but they probably never met in person. Now though,they fought one another gun vs gun and blade vs blade! Paladin Rife was forced to destroy Kaliks-4 in order to prevent its escape, but she, in turn, was cut down in battle by Pirsis!

Ultimately, Pirsis attack was a second failure, but her siege of Pallas might have continued if not for the efforts and quick thinking of Awoken Commander Hallam Fen. He somehow managed to get through what must have been intense jamming from Pirsis’ fleet and, with quick thinking, coordinated with the Queen’s Crows and Techeuns to create an enormous illusion of approaching Harbingers. Pirsis’ forces went mad. They still remembered the battle that took place at Ceres before the Scatter. Remembered how their ships had been disabled or destroyed by the thousands by the intense power of the Queen’s Harbingers. And so, they broke ranks and fled in complete disarray.

In the confusion that followed Commander Fen’s bluff, he along with Paladins Leona Bryl and Kamala Rior pounced on the Wolves. They managed to force most of them to retreat, and even more importantly, they managed to capture Pirsis, Pallas-Bane! In return for his service and innovative thinking, Queen Mara Sov allowed Hallam Fen to succeed his mentor, the late Imogen Rife, in the role of one of the Reef’s four Armada Paladins.

For those who are curious, the Reef’s forces are headed by seven Royal Paladins:

Royal Armada Paladins:

  • Abra Zire
  • Kamala Rior
  • Leona Bryl
  • Previously Imogen Rife, now replaced by Hallam Fen

Royal Army Paladins:

  • Pavel Nolg
  • Devi Cassl

Royal Awoken Guard Paladin:

  • Yasmin Eld

Following the failure of the long siege at Pallas, Skolas’ forces were again forced to move into the open in an effort to seek a new advantage over the Reef. The end of the siege of Pallas would come to mark the beginning of the end of the Reef Wars. In the few remaining battles, the Awoken would demonstrate that they had learned well from their previous clashes with the Eliksni, and before long Skolas himself would be betrayed!



Bite-sized Backstory 32: The Eos Clash & Amethyst

After the Awoken smashed their fleet and their leadership at Ceres, the House of Wolves splintered into a variety of groups vying for control. As we saw last time, the three primary contenders for the Kellship were three of Virixas’ lieutenants: Irxis, Wolf Baroness; Parixas, the Howling; and Skolas, the Rabid.

The first order of business for these three claimants was to gather their forces and, critically it seems, take command of as many servitors as they could. Servitors are still somewhat mysterious to us. The basics are as follows:

Servitors are living relics of the once-mighty Fallen civilization. Packed with ultra-sophisticated machinery, they process matter and energy into the Ether that the Fallen depend on for life. In battle they support the Fallen with defensive systems and their own powerful energy weapons. Outside, they anchor Fallen comms and provide vital technological acumen.

Servitors have complex relationships with each other and with their Fallen crews. Servitors are attached to a Prime, a massive Servitor which exists in unclear symbiosis with a Fallen Archon. The Archon conveys the Kell’s wishes to the Prime Servitor, and exerts some measure of control. Recent developments suggest that Prime Servitors are more than a focus of worship and logistical activity. They may play a key role in Fallen star flight.

Servitor

We quickly see this “complex relationship” servitors have. Skolas and Parixas fight over control of the Kaliks line of servitors, but Irxis somehow knew that the Orbiks servitors had at least some control over the Kaliks line of servitors and used that advantage to deal heavy blows to her rivals.

The next major battle to take place in the Reef Wars was an important battle called the Eos Clash. One way or another, Peekis, one of Skolas’ subordinates, managed to pin Irxis’ forces in or near the orbit of the sixty-four mile wide asteroid 221 Eos. Unfortunately, this wasn’t a brilliant strategic move on Peekis’ part but one of desperation even though he had overwhelming numbers. Reading a bit between the lines, could it be that Skolas forces were being severely harmed by Irxis’ partial control over the Kaliks servitors?

In any case, this large scale battle of Wolves on Wolves ended with Irxis dead and both fleets in ruins.

Though technically a victory for Skolas, the Eos Clash came at a terrible cost for him. He docked Peekis’ arms and demoted him to Dreg as punishment for his recklessness.

WANTED: Peekis, the Disavowed

At this point, we are told Skolas changed his strategy. How did he change it? Cayde-6 has the answer for us:

The Awoken will tell you that a long time ago the Queen conquered the House of Wolves. What they won’t say, because they are very serious important people, is that the House of Wolves did a lot of the job for them. After the Queen killed the Wolf Kell, the Fallen started competing for the throne. One of the first battles was called the Eos Clash and I wasn’t anywhere near it, but I’m pretty sure I’m not making this up. A Fallen named Skolas wiped out one of his rivals in the Eos Clash. But the battle cost him so much he got to thinking: if the Reef killed my boss, and gave me a chance at the throne, maybe I can use the Reef to kill all my rivals too!

Prison of Elders, The Reef

The first, and maybe best example of Skolas’ new strategy can be seen with the Silent Fang’s attacks and trickery at Amethyst and Iris.

The Fang used to do hit-and-run attacks against civilian targets during the worst days of the Reef Wars. I’m not sure, but I think that’s what made Variks turn against Skolas. Assassins unleashed on miners, on teachers. That’s a long way to fall.” – Petra

Talk to Petra

In order to defeat his challenger for leadership of the House of Wolves, Skolas had Drevis, the leader of the Silent Fang assassins, personally lead an attack on a civilian station of Awoken called Amethyst. The Silent Fang killed everyone there, including Petra’s sisters, one of which, Pinar Venj, was the leader of Amethyst. This massacre becomes one of the biggest driving forces in Petra Venj’s life, as she later noted in a letter to her Queen:

It was your service that kept me from sorrow after Amethyst was razed. The loss of my sisters, my whole life, as our station burned… it took something from me.

By your will, it was given back to me.

Promoting me to the Corsairs, allowing me to strike back at the Wolves. Letting my fury find purchase in defense, in support, and in glorious battle. I know, as I’m sure you did, that without focus my heart would have grown toxic.

– Petra Venj, Queen’s Wrath

In response, the Reef’s Paladin Abra Zire lead a fleet chasing after Drevis in the direction of the bright, reflective asteroid Iris. Her response had come too late to protect Amethyst, but she wasn’t going to let anything stop her from punishing those responsible.

Except, at the same time, Grayor, who was likely another leader among the Silent Fang, led an attack against one of Skolas’ remaining Eliksni rivals. They hit Parixas’ ketch then fled so that Parixas would chase after them towards… the bright reflective asteroid Iris.

7 Iris is an asteroid about about 2.3AU from our sun, is about 200km across, and its surface is very reflective and very bright:

Iris’s bright surface and small distance from the Sun make it the fourth-brightest object in the asteroid belt after Vesta, Ceres, and Pallas. It has a mean opposition magnitude of +7.8, comparable to that of Neptune, and can easily be seen with binoculars at most oppositions.

Wikipedia

Through a combination the glare coming off Iris and the Eliksni’s jamming and cloaking we’re all fairly familiar with, the two members of the Silent Fang slipped away leaving Paladin Zire’s forces to clash with Parixas’! By the time the battle was over, the Reef’s forces were victorious… but so was Skolas! Not only had his forces badly bloodied the Reef’s nose, he had also managed to use their response to further his own ambitions!

Unfortunately for Drevis, the Reef’s reach was quite long. As we’ll see next, she was soon captured, but instead of an easy victory, her capture would spark the largest and longest series of battles in the Reef Wars.


Bite-sized Backstory 31: Meanwhile! At Twilight Gap!

As the House of Wolves scattered and splintered among the many planetoids of the asteroid belt, the House of Devils lead the other Houses against the City.

In some ways, the City had unfortunately set its self up for such an attack. What started as settlements underneath the Traveler slowly grew into a metropolis protected by high walls, artillery equipped towers, and scores of nearly immortal Guardians. After establishing itself, the City began to expand outward but those new outer sections were not as well defended and gave the Eliksni a weak point to attack.

This lookout station at the edge of the City’s borders was decommissioned in the face of increasing Fallen attacks shortly before the Battle of Twilight Gap.

Frontier

As the City learned to walk again, it found a world overrun by alien menace. It faced disaster and defeat. Even in recent years, as Guardians begin to venture back to the Moon and the inner planets, the City’s territory has withdrawn – outer sections abandoned and converted into fortifications in the wake of the Battle of Twilight Gap.

The City Age

During the battle, the combined forces of the Eliksni houses, except, of course, the House of Wolves, managed to breach at least some of the City’s defenses. Eliksni walkers traded shells with the City’s guns while other Eliksni forces worked on swarming those gun positions. Despite the City’s defenses being lead by the Iron Lord Saladin Forge, the Eliksni even managed to fight their way onto (and possibly into?) the City’s main defensive walls. Things weren’t looking good!

“Kei-Ying. Gave his last full measure at Twilight Gap.” —The Last Stands of First Pillars

Murvaux Type 0

At the desperate battle of Twilight Gap, Warlocks worked in concert to shatter the enemy. It was not quite enough.

Mystic Drain

The House of Wolves and the Awoken tore the Reef apart trying to get a tactical advantage. All the while, we were desperately trying to hold the Walls against the Devils, Kings, and Winter. It was one of the darkest chapters in the City’s history.” —Zavala

Kell Rising

But, ultimately, the City’s walls held, thanks in large part to both the Guardians who died defending it and the legends who finally drove back the Elkisni’s advance.

Lord Shaxx is one of the heroes of the Battle of the Twilight Gap, having led the counterattack that pushed the Fallen from the City walls. Fearing that another full-scale assault would be more than the City could repel, Shaxx chose to stay in the City to mentor Guardians in the Crucible.

One day Shaxx vows to return to the war beyond the City, but only after he is confident the fires of the Crucible have forged a new generation of warriors.

Crucible Handler

A hero to the City and a legend in his own right, Saladin Forge led the City’s defense during the Battle for the Twilight Gap. His protégés, Commander Zavala and Lord Shaxx, now lead the Tower’s Vanguard and the Crucible, respectively.

Iron Banner Rep

You want another story about the Twlight Gap? Ana Bray, the Hunter. We all dug deep that day. We all touched the Light in ways we never thought we could. Or should. Ana, though. When she fired the Gun, where her Golden blasts hit home, she left behind the pools of light. Like splashes of sunlight that burned and burned.” —Lord Shaxx

Talk to Lakshmi-2

He could feel his light draining. He pulled all of it into one last hope.

He reeled back and bam!

His helm found purchase, breaking through just above the Kell’s eyes. The Ether screamed from his head and together they fell to the ground.

The Exo Guardian rose, staggering back. He couldn’t take his eyes off the Kell’s body. He’d never seen any Fallen withstand a skull puncture, but this was no ordinary Fallen. He waited…and waited.

“Ghost?” The words barely audible. He heard her flash in, but had a hard time pinning her down. She was buzzing about, surveying the Fallen Kell.

“He’s dead alright. So that’s it, we are done now?”

He removed his helm, tossed it aside, and dropped to his knees.

The Devils without a Kell. This war was over, at last. They could finally go home.

Legend: Saint-14

Because of the Reef’s intervention in attacking the House of Wolves as they approached Earth, what should have been a great, if perhaps costly, victory for the Elkisni instead turned into a major defeat. In all likelihood, the Battle of Twilight Gap ended their chances of reclaiming the Traveler through conventional warfare.

The near defeat at Twilight Gap changed things for the City as well. Outlying districts were abandoned or converted into fortifications. Lord Shaxx began the Crucible as a method of training Guardians to fight foes just as dangerous as themselves, and Lord Saladin, who had an even better understanding of what it meant to face an unwinnable battle, instituted the Iron Banner to challenge Guardians to fight with the full strength of their Light without the concept of fair play helping or hindering them.

Oh! And of course one other very famous thing resulted from the Battle of Twilight Gap:

” If there is beauty in destruction, why not also in its delivery? – Feizel Crux

The Gjallarhorn shoulder-mounted rocket system was forged from the armor of Guardians who fell at the Twilight Gap. Gifted to the survivors of that terrible battle, the Gjallarhorn is seen as a symbol of honor and survival.

Gjallarhorn

Amusingly, not everyone working on the famed rocket launcher saw it Crux’s way, and that included his gunsmith partner Victor Lomar!

This commission is a commemoration! They deserve something dependable. These men and women did not survive the Gap so that you could make art!

Beauty in Destruction


Bite-sized Backstory 30: The Nobel Queen and the Scatter

When the Eliksni came to our system, the various houses did what they always did. As Variks says:

House Winter, attack. House Devils, plot. House Kings, plan. House Wolves circle. House Judgment… wait.

Variks The Loyal

The attacks the House of Winter performed are referred to in Draksis, Winter Kell:

Kell of the Wintership Simiks-fel, has been an elusive target for the Vanguards. After his countless raids on jumpship reclamation convoys, Cayde-6 personally upped the bounty on him. With confirmed sightings of the Kell in the Ishtar Sink, the time to strike is now.

The result of which is seen in Ghost Fragment: Hunter:

She leaves the rifle and walks across the naked obsidian into the swarm firing from the hip as she goes, each kick of the old revolver a word, Draksis, Draksis, Kell of Winter, Kell of hate, lord of the kingdom of her vendetta. Her jaw aches. She used to imagine biting out his throat with armored teeth.

The stone smokes around her where the arc fire lashes it and the shrapnel guns throw up leaves of obsidian like glass butterflies. She shoots her bandoliers dry and a team of Vandals in glassy stealth leap up to rush her with knives but she raises her hand and burns them down with the golden gun, laughing, crying out Draksis, Draksis, I am come!

She kills them all and takes the next ridge, high above the Cinders. She can see the blue-green pools and the cave mouths where the Vex lights dance. And there among them, gowned in smoke and ash, is the long shark shape of a Ketch, a Wintership, the Kell’s ship, come down to nest.

Which eventually leads to us boarding Simiks-fel and killing Draksis ourselves in Destiny. We get to see a lot of the House of Devils plotting firsthand as well. They try to capture Rasputin in Destiny and they eventually try to take control of SIVA in Rise of Iron.

The House of Kings we see very little of. There’s that one meeting between the House of Wolves and House of Kings that we break up. The one deep in the Cosmodrome around that hologram of the Traveler. But other than that, the Kings are very cautious and generally do not stick their necks out.

Now, the House of Wolves? At some point after the Eliksni fight their long running skirmishes against the Iron Lords, and after the establishment of the City, all the Eliksni houses put their heads together and plan a massive attack. The House of Wolves is apparently intended to be the muscle:

The transmission was broadcasted on all Fallen frequencies. Lacking, at the time, the ability to crack Fallen encryptions, the Master of Crows could discern only that the Fallen Houses were all talking to each other. That was a thing that had never happened before.

Then the Techeuns looked Earthward—and saw the Fallen there becoming bolder. Tactics suggested they were planning a massive attack. We had no interplanetary arrays—no way to warn Earth. We thought we would be able to do nothing but watch.

But then the Wolves arrived from the Jovians. Their army was hundreds of thousands, perhaps millions strong: a dark wave that washed over the Reef, rushing toward the Earth. As soon as we saw them it was clear that if the Wolves reached Earth, the City would fall.

WANTED: Skolas, Kell of Kells

So, while some houses like the Devils essentially parked themselves right on top of the homeworld of the immortal, unkillable Guardians, the Wolves had been somewhere far away past Mars and past even the asteroid belt. Arriving from the Jovians means that the House of Wolves had taken up residence on or near Jupiter’s moons.

We’re also told in Vestian Outpost, Queen’s Bay that:

the Reef’s sunward side, the Vestian Outpost marks the flightpath any Guardian must take to access the Queen’s realm. Beyond it lies the Vestian Web, the heart of the Reef built around the asteroid 4 Vesta.

That would put the Reef here some 2.5AU (21 light minutes) from the Sun:

By contrast, Ceres is a little farther out at roughly 2.7AU.

But, of course, these two asteroids are in constant motion and depending on exactly when Destiny takes place they might be closer together or on opposite sides of the sun from each other.

The WANTED: Skolas, Kell of Kells Grimoire Card then continues with:

Seemingly oblivious to our existence, the bulk of the Wolf fleet stopped to regroup at Ceres. The Queen’s decision was this: attack the House of Wolves, thereby saving Earth but revealing the Reef’s presence to any and all enemies in the quadrant; or remain silent, preserving the Reef’s invisibility but allowing the City to perish.

That a pretty bold move by Queen Mara Sov, but we actually have a more detailed look at it in Ghost Fragment: Fallen 4. This is one of my favorite scenes in all of the Grimoire so I’m going to post it in its entirety:

This happens long ago, but not too long to matter.

Ceres rules the Asteroid Belt. Ceres is the white queen of this space, four hundred million kilometers from the Sun. Ceres is round. Round means power, out here: nothing else in the Belt is big enough to crush itself into a sphere with its own gravity. Ceres has its own chemical stars. Shavings of salt and ice that glint in orbit. Like a crown.

There are other lights, newer stars, newer crowns. Warship engines. Another queen is coming to conquer Ceres, because Ceres is full of warrens and shipyards and habitats, because Ceres is round and lucky as a Servitor. Because Ceres is full of the Wolves she wants to rule.

Shark-fierce ships gather in squadrons and tribes. Skiffs. Ketches. The Kell of Wolves has a fleet gathered here. The Kell of Wolves heard the call, and summoned the House of Wolves to prepare for the great battle on Earth. The salvation of the Kell’s people depends on their ability to shatter the City. It’s a matter of survival.

Now the Wolf fleet turns to meet the Queen.

See the squadrons of Skiffs wrapping themselves in stealth, cold and transparent, knifing out invisible and brave? See the Ketches like broad blades, the bright thoughts of a Servitor guiding them to battle? See them turning, accelerating, waking up their jammers and their arc guns? All doomed. The Kell of Wolves will never make it to the Twilight Gap. The Kell of Wolves put all that strength in one place, and now the Queen of the Reef is coming to break it.

Out there, coming out of the dark, are the Awoken. Not so great a fleet, is it? Little fighters scattered around like four-pointed thorns. Destroyers and frigates and salvaged hulls pulled out of the Reef. And right at the front, at the speartip, flies the Queen.

The Wolf Kell, practical, brave, tallies strength of metal and equipment. The Kell considers the chance that the Awoken have some secret weapon, something gleaned from hulks in the Reef or whispered up by the witches, and sets that chance aside. The Kell thinks the House of Wolves can win decisively. So the Kell sends challenge and warning. I AM LORD OF WOLVES, the Kell sends. YOU ARE AN EMPTY THING WITH TWO DEAD SOULS. THIS IS MY HOUSE. THESE ARE MY TERMS. SURRENDER AND I WILL ONLY TAKE YOUR SHIPS.

The Awoken fleet cuts their engines. Drifts. Wolf strike elements, torpedo-armed Skiffs hidden under jamming and camouflage, find their firing solutions.

The Queen’s ship broadcasts. I AM NOBLE TOO, she says, OH LORD OF WOLVES.

The Kell doesn’t mind a little banter before the kill. It gives the Wolf ships longer to draw the battle away from Ceres. The Kell replies. YOU HAVE NO LINE. YOU HAVE NO POWER. Captains and Barons signal their readiness, Skolas and Pirsis and Irxis, Drevis, Peekis, Parixas, all of them bound by fear and loyalty, all ready for war.

STARLIGHT WAS MY MOTHER. The Queen’s ship whispers in eerie erratic radio bursts. Servitors begin to report a strange taste in the void. AND MY FATHER WAS THE DARK.

Here, at last, too late, the Kell begins to feel fear. CALL ON THEM, THEN, the Kell sends, one last mocking signal before death and ruin, AND SEE WHAT HELP THEY OFFER.

So the Queen calls, as only she can. Every Servitor in every Ketch hears it. Every Captain and Baron roars at their underlings as sensors go blind, as firing solutions falter, as reactors stutter and power systems hum with induction. Stealth fails. Space warps. The House of Wolves shouts in spikes of war-code, maneuvers wild, fires blind.

Behind the Queen’s ship, the Harbingers awaken.

The Queen’s line there “I am noble too, oh Lord of Wolves. Starlight was my mother; and my father was the dark.” gives me chills each time I read it. We don’t really know what that means yet, but clearly the Queen is not nobody! Cayde-6 once said of her:

And who’s the best at cutthroat politics? That’s right, her Majesty, the Queen of the Reef.

Whatever happens— I want you to remember that she knows, more than anyone else I’ve met, how to set one foe against another.

Prison of Elders, The Reef

So, what happens next?

Her Harbingers ripped into Ceres, destroying the asteroid and killing Virixas, Kell of Wolves and more than half his House. The remaining Wolves scattered, burrowing deep into the Belt for cover. There, new claimants to the Kellship quickly arose: Irxis, Wolf Baroness; Parixas, the Howling; and Skolas, the Rabid.

WANTED: Skolas, Kell of Kells

The Awoken win a decisive victory here, but, as we’ll soon see, the conflicts that the Queen just kicked off aren’t called the Reef Wars for nothing!


Bite-sized Backstory 29: The Eliksni vs The Iron Lords

One.
Two.
Three.
Four.

“Guardian Down!” Lord Saladin’s ghost informed him as a barrage of arc missiles streaked across the outskirts of the town turned battleground. The excited clicks and grunts of the alien pirates echoed above the fighting. They were winning!

The hundred or so Fallen advancing on the town were a problem, but in truth they weren’t much more than a screen for the spider-shaped walker standing on the ridge behind them. Saladin knew he had to get up there, somehow, and put an end to that threat, but Ragashingo had already shown a solo charge through the Dregs and Shanks would not be enough.

“Up and over, not through!” Efrideet’s said from her place beside him, her voice as young and cheerful as always. “Me or you?” she asked.

“Me,” Saladin growled in replied.

Together, they sprinted at the Fallen hoard, Saladin’s shield of arc energy deflecting what small arms fire came their way. At the critical moment, Efrideet increased her pace and then, gripping Saladin tightly, launched them both into the air. As her catapult gave out, Efrideet surged forward with a burst of speed and a crackle of lightning as she propelled her fellow Guardian forward with all her might.

Saladin flew towards the walker straight as an arrow, flaming axe now in his hands. With one final burst of lift and one mighty slash of his axe, he severed the robotic tank’s cameras and sensors from its body and guns.

With the walker dead, Ghosts were free to relight their Guardian’s embers, and what had been a dwindling defense quickly reversed into a thundering attack as cheers for Efrideet and Saladin rose above even the scavengers’ calls for retreat.

Ok, that’s not actually a Grimoire Card, but it’s what I imagine might have happened when I read this small section of Efrideet’s:

In the tales of the Iron Lords, Lady Efrideet was one of the most prominent characters. She once threw Saladin like a javelin into a Fallen Walker—a City favorite retold for centuries.

Lady Efrideet

The Iron Lords originally formed to put an end to human warlords who were using their gifts of Light and Ghosts to rule and terrorize populations who somehow survived the collapse. It was only later that the Eliksni arrived and began scavenging and killing. The focus of the Iron Lords quickly shifted to fighting this new alien threat and completing the walls of the City.

While there’s not any cohesive timeline to be found, there are some great stories from this time period. Stories like:

The plan Lady Skori comes up with to ambush a group of Fallen while her fellow Iron Lords are pestering her about spending too much time writing the Iron Song:

”…
A lot of people are relying on us, Skorri. If you don’t think you’re up for—”

“Hunters up top, 11 o’clock on the ridge. Two shots to the Servitor, draw their attention up. I come in with Radiance, Dregs are blinded, Jolder’s powered up, she rushes in, splits ’em in half. You hopefully don’t trip over your cloak like you did back at the Flood Zone, but I’m not optimistic. The rest come out of the cave, take out the Captain, Felwinter finishes off the south group with a Bomb, everything else is candy.”

The epic stands Lord Silimar made defending the same location against the Fallen again and again:


As the Fallen charged, Silimar refused to abandon what he’d built, though others retreated to a stronger position. “Go,” he told them. “Save yourselves. I’ll slow them down.”

The enemy came in overwhelming force. A breaking wave of blades and firepower and death. Atop the structure’s central bulwark, Lord Silimar held his ground.

“Take it if you can, you bastards!” He shouted at the swarming enemy.

He leapt upon the great edifice and there put up a final stand as the enemy engulfed him. He died with his dagger in the guts of an Archon while the great structure shook with explosions and rained stones down upon the land.
Later that night, when Lord Silimar rose again from the ashes, he found Lord Saladin already there and waiting, standing near the place where he’d made his final stand.

Lord Timur’s Stormtrance defeating hundreds of Shanks and their Vandal keepers in an unusual way:


Lord Felwinter, I know what you are. And you are no Warmind or even one of its puppets. Come. You must see this.” He makes a gesture like he’s casting a spell over the sand. “Follow my footfalls; this area’s rigged with dirty Fallen nonsense.”

They struggle up the dunes. Felwinter glides ahead. As he lands, a sandstorm rises to meet him. More shanks. Hundreds of them. Behind them, a lone Vandal sniper lays down covering fire.

Felwinter, realizing his mistake, runs back toward Timur, shielding himself in the Light of suns.

Timur continues forward, grasps the brass familiar around his neck, and closes his eyes. A slight hum rises and his trance takes him deep into the sea of shanks, his trusted Lash raised and tearing his path through the darkness. Felwinter is slow to follow, but fast enough to witness Timur’s focus turn shanks by the pack against their Vandal keeper, chasing him back toward the sea.

And Rezyl Azzir who, while not an Iron Lord, existed as a figurative and literal Titan of the City around that same time. His defeat of a Fallen Kell is the stuff of legends!


A massive blast cratered the ground a few feet from the Titan. The Ketch had turned its guns on Rezyl.

Another blast impacted to Rezyl’s left and he stumbled. A third exploded directly in his path…

…and Rezyl fell.

From the treeline, his Ghost watched as the Fallen celebrated and a Skiff drifted down from the Ketch above.

The circle around Rezyl’s body parted and the imposing figure of their Kell stepped forward to admire his prize.

The chittering excitement quieted to a steady drone as the Kell lifted Rezyl’s limp body by the neck.

A chorus rose among the crew, growing louder as the Kell hefted Rezyl over his head for all to see.

Rezyl’s Ghost darted low through the crowd. He didn’t like Rezyl’s plan, but now he understood it.

Distracted by their Kell’s triumph, the Ghost’s presence went unnoticed until a beam of light swept over Rezyl’s body.

The mood shifted instantly, cheers turning to ravenous shouts.

The Kell’s gaze fell to the Ghost as the beam faded.

The circle began to collapse — the Fallen set to pounce.

As the Kell moved to toss Rezyl aside, cold steel met the underside of the alien marauder’s jaw, followed by a red flash as Rezyl pulled his cannon’s trigger.

Ether spewed in an angry geyser and the Kell’s grip loosened. Rezyl hit the ground and unloaded five more rounds into the Fallen leader’s torso. The monster dropped.

Frenzied, the Kell’s crew closed in like a flood.

Rezyl’s Ghost lifted above the fray, frantic, “Now! Now! Now!”

In one motion, Rezyl rose from a crouch, his fists clenched and raised high as a storm of Arc Light built within him, his full might raining down on the Kell’s chest. The shockwave of Rezyl’s attack hit like a meteor, shattering the Kell’s body and any Fallen within the Havoc storm’s radius.

You’ll note almost all of the quotes above are just smaller sections of each story. The stories of the Iron Lords are fantastic, especially when you put them together which is why we’ll loop around and revisit them someday. But for now, I hope you can see that the Iron Lords and their contemporaries like Zavala and Rezyl did a lot to safeguard humanity during the early years of the Eliksni’s incursion into our solar system.

But as much as they did, it was a distant noble Queen who saved us.


Bite-sized Backstory 28: Facts and puzzling things about...

Before we really begin, I thought it might be interesting to explore some oddities of Eliksni biology, and take a quick look at two of the key individuals we’ll see driving the Eliksni’s fate before and during the events of Destiny.

Skolas the Rabid:

The incredibly difficult Fallen Kell many of us faced in the Prison of Elders was once merely one of multiple captains serving the previous House of Wolves Kell before the Reef Wars. We ultimately killed him to earn treasure from the Queen of the Reef, but did you realize that Skolas had been caught by the Awoken once before? And that it was Xur, or some other Agent of the Nine, who released him and set him on his (ultimately failed) quest to become the prophesied Kell of Kells?

Take a quick look:

He looks up. At the tiny hooded shape before him. The cell’s mist is clearing. He can see.

“I believe that I am here,” the creature says. To Skolas’ ears it has a strange voice, a strange accent. It speaks his language. “I have a clear purpose. I cannot explain it. Forgive me.”

From beneath its hood, tiny fingers of shadow probe the air.

Skolas rises up to smash it, to show his strength, because the alternative to violence is waiting for violence to come from a universe that has neither respect nor compassion. But he checks himself. His ambitions have brought him here, to this cell in this strange place… only it’s not so strange, is it? It’s the hold of a Ketch. “The Queen,” he says to the thing. “You work for the Queen.”

“The Nine made me aware of my purpose,” the creature says. “If am here, then it is because the Queen sent you to the Nine, and they wish you sent back.”

Mystery: Fate of Skolas

Whoever or whatever the Nine are, they sure had it out for the Awoken!

Variks The Loyal:

Throughout all the wars and battles the Eliksni have undertaken in our solar system, and despite all the powerful leaders that have risen up in opposition to the various pockets of Humanity, Variks, a lowly scribe from the Eliksni House of Judgment may yet be the most influential Eliksni of all. We’ll get to his story in a bit, but first I wanted to point out something interesting that he revealed to us with his own words:

Traveled with the many houses before Wolves. We move, across the dark. Follow the Light. Advise Kells, worshiped Primes. House Judgment must survive, yes?

Variks The Loyal

Did you see that?! Variks claims to have been alive before the Eliksni found our star system!

With Rise of Iron, we learned that the Iron Lords were at the height of their power some 500 years before Destiny’s present day, and that some Iron Lords were fighting Fallen well before that. If Variks’ quote above is to be believed, he and a good number of other Eliksni might have been present during the Whirlwind. Even if he was born much later, it certainly seems he might have braved the part of the journey to our solar system in search of the Traveler. That would mean that Variks, and many other Eliksni, might very well be over 500 years old!

There are two other interesting things we know about the Eliksni and their biology. First, they have the ability to regrow limbs:

Dregs cling to the lowest rung of Fallen society. Docked of their lower arms in a ritual of humiliation and obedience, Dregs seek to prove their worth. Only a few will survive to gain promotion and regrow their limbs. Their suicidal bravery is fueled by ambition and shame.

Dreg

Interesting, then, that Variks has at least one robotic arm… but we’ll get to that…

And second is the ability for Eliksni to literally grow in size when they are able to feed on large amounts of Ether:

The Guards are handpicked from birth, stuffed full of Ether to make them strong and brainwashing to make them unthinkingly loyal to the Kell.

WANTED: Wolve’s Guard

Kell uses Ciphers to control the Ether flow. Archons and Barons take deep draughts, grow tall. Dregs with tiny sips stay small.

The Elder Cipher

It’s kinda neat to get even the smallest confirmation that, yes, Eliksni really do range in size from the small Dregs to the impressively large Kells. It seems likely that this Ether fueled growth is fairly slow, but we don’t know that for sure.

Oh, and about ether, and the way it releases from an Eliksni’s body upon a successful headshot? Some Guardians talk as if the Eliksni really do have souls that escape when the body they are in is killed:

Those Fallen in the Ishtar Sink on Venus…story is they raided the Prison of Elders in the Reef. Got an Archon Priest. The Queen’s bounty is high so we know it’s powerful. We need to hunt this thing down before they fully restore its soul. -Cayde-6

Winter’s Run

The Fallen will continue to claw at the walls of our City, unless we strike them down. Beneath the ruins of the Cosmodrome, in the shadow of an old colony ship, we’ve located the House of Devils’ Lair – and the High Servitor feeding them their strength. We must destroy this machine god…and send their souls screaming back to hell. -Commander Zavala

Devil’s Lair

I have devised a technique to liberate the soul from the flesh. It works very reliably on Fallen.

The Calming

But someone out there, perhaps an Eliksni, has this to say on the subject:

The gas is no soul. An ethereal lifeblood, maybe, but a soul? I think not.

Kellbreaker’s Gloves

Who’s right? In a universe where Hive undo their own deaths by surviving in alternate dimensions, and where our Guardians are brought back to life some five hundreds years after the devestating defeat at the end of our Golden Age… who can really say!?

Up next? I think I’ll just post all the cards relating to the Iron Lords in their proper order and expect you to read them straight through from beginning to end. The story of the Iron Lords is pretty awesome, and some of those cards talk a little about early Eliksni activity, so… it’s all good! Right?


Bite-sized Backstory 27: Whirlwind & Rain

The Fallen are ruthless scavengers. Brutal and uncaring, they arrived on their massive Ketches in the wake of the Collapse to loot and pillage our devastated worlds. – The Fallen

By the time Destiny’s story ends, it is clear that the Fallen have it the worst out of all the races we’ve met. Once the combined forces of the City and the Reef, not to mention the Vex, Hive, and Cabal, are done with the Fallen, it’s fair to wonder how many of them are even left in our system and how many of their ancient Houses are still intact.

But this race of pirates and scavengers humanity derides as Fallen was once something much more. Though some of their people have come to embrace the term Fallen, they actually call themselves Eliksni much as we call ourselves humans or humanity. And once, long ago, the Eliksni, like us, were visited by the Traveler.

The image clears of dirt and dust as a hand wipes the lens clean. A figure holds the Ghost up, looking into the lens. Harsh light from an unfamiliar sun backlights the four-armed creature, making it impossible to see its face. Its massive head turns, and a clicking and chittering voice can be heard speaking to something off-screen. While the noises themselves are harsh, the tone and content seem almost gentle. A curious creature, not a violent or angry one.

The lens refocuses beyond the creature’s head as it talks, and a startling landscape climbs to the horizon. It’s a paradise. Carefully tended lakes and rivers, water everywhere, wind their way between fields of lush iridescent crops and into groves of starkly colored trees. Every inch of the land seems engineered, brushed by a sculptor’s hand for form and function both.

The sky is a light pink, spotted with clouds and crowded with ships. Thick lanes of aerial traffic soar through the air, tightly managed and seemingly endless.

And beyond it all, above the clouds, hangs a perfect alabaster sphere. The image wobbles, shaking, flickering as if the Ghost is blinking. And the fragment ends. – Mystery: The Vault of Glass

The first image we get of the Eliskni comes to us through the strange, time-bent perception of a Ghost within the Vex’s Vault of Glass. This brief glimpse of an Eliksni world shows us that not only were they perhaps equals to Humanity in the height of our Golden Age, it’s even possible that they were our betters! Their lanes of air traffic speaks to a civilization bustling with technological prowess, while their paradise of perfectly engineered lakes, rivers, farm lands, and forests suggests that perhaps they have already long past the age of expansion, colonization, and struggle Humanity was in before its Golden Age came crashing down.

Skolas, the eventual Fallen leader of the House of Wolves, had this to say about the Eliksni’s Golden Age:

Remember the age before the Whirlwind, when ether ran free, when we ruled ourselves and our futures as kings. We wanted more than glimmer and glints and herealways. – Ghost Fragment: Fallen 3

Unfortunately, while the Eliksni’s Golden Age may have lasted a good deal longer than Humanity’s, it did not last.

First, the Great Machine. Then, sky fell away. Whirlwind ripped away the past. All honor lost, all hope. Judgment not enough. Cannot keep Wolves from Kings, Scar from Winter. Fell to fighting. Fell to hate.

Judgment gone. Others slaughtered, slain. Death and docking. “Keep Eliksni together,” lost to pride and rage.

Traveled with the many houses before Wolves. We move, across the dark. Follow the Light. Advise Kells, worshiped Primes. House Judgment must survive, yes?

Found the Light. Too bright in Darkness to hide. – Variks, The Loyal

Something powerful and terrible attacked the Eliksni. Something so overwhelming they were forced to flee their home world and chase after what they called the Great Machine until they found it damaged and unmoving hanging low above the beginnings of what would years or maybe decades later become the City on Earth.

Destiny’s story might have been very different if the Eliksni that had survived their Whirlwind acted as a unified force. They might have come out the heroes. At the very least they might have been far and away the dominant rulers of our solar system with far more might than the Hive, Vex, Cabal or the Awoken of the Reef. But, instead of working together to preserve what remained of their race after the Whirlwind, the Eliksni almost immediately fell into infighting if not outright civil war.

While we don’t know much about this possible Eliksni’s civil war, we do know that the House Judgment, which seems to have helped settle disputes and keep order among the other Houses, was destroyed. House Judgement may very well have been one of the last Houses to fall due to the effects of the Whirlwind, but there were surely many others that were wiped out in, or because of, the Eliksni’s version of our Collapse. The most interesting of these Houses has to be the House of Rain.

Throughout Destiny, the Fallen repeatedly take bold but foolish risks. Their infighting and the way they throw themselves into the meat grinders of the City’s Guardians and the Reef’s Awoken is a tragic theme we see over and over. But, in Destiny, and in the Grimoire especially, there is a second theme that permeates the Fallen’s story. It is a promise of renewed unity and perhaps even redemption as all the Fallen Houses gather under the leadership of one Eliksni who will eventually be known as the Kell of Kells. If a Kell is the leader of a Fallen House, this individual will be the leader of all the Fallen Houses.

One of the most interesting things about this Kell of Kells is that their eventual existence was predicted by the House of Rain before it was destroyed in the Whirlwind:

Petra: What about this House of Rain, the Prophecy you keep quoting?

Variks: House Rain lost in Whirlwind. No survivors, but I keep their prophecies. You think many claim to be Kell of Kells, but none have. House Judgment closest thing to peace the Fallen ever know.

Petra: Heh. Maybe you are the Kell of Kells. – The Kell of Kells

And the prophecies Variks spoke of?

What Whirlwind whisked away will be rewrought, and every kell and ketch will kneel to the Kell of Kells.” —Prophecy, House of Rain – The Hunt for Skolas

The Great Machine will marvel, moved by might, and come to crown him Kell of Kells.” —Prophecy, House of Rain – The Kell of Kells

Before him, foes will flee or fall. But he will heal the houses, make them whole.” —Prophecy, House of Rain – Gone to Ground

That even the Traveler would recognize this Kell of Kells seems completely unprecedented with what we’ve seen so far in Destiny… so I really we see these prophecies come true!

Like the story of the Hive we covered last time, the story of the Fallen Eliksni is one filled with hope and despair, with battles and betrayals, and maybe with even a hint or two about to expect from our favorite four-armed race in Destiny 2. I had a blast exploring the Grimoire last time for the Books of Sorrow, and so I hope you’ll join me again over the next several weeks as I trace the path of the Eliksni.